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Today's Stichomancy for Hillary Clinton

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Captain Stormfield by Mark Twain:

some of the patriarchs will turn out."

"No, but will they?"

"Like as not. Of course they are pretty exclusive. They hardly ever show themselves to the common public. I believe they never turn out except for an eleventh-hour convert. They wouldn't do it then, only earthly tradition makes a grand show pretty necessary on that kind of an occasion."

"Do they an turn out, Sandy?"

"Who? - all the patriarchs? Oh, no - hardly ever more than a couple. You will be here fifty thousand years - maybe more - before you get a glimpse of all the patriarchs and prophets. Since

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Far From the Madding Crowd by Thomas Hardy:

"Yes; that's the name. Had he a moustache -- no whiskers or beard?" "He had." "What kind of a person is he?" "O! miss -- I blush to name it -- a gay man! But I know him to be very quick and trim, who might have made his thousands, like a squire. Such a clever young dandy as he is! He's a doctor's son by name, which is a great deal; and he's an earl's son by nature!" "Which is a great deal more. Fancy! Is it true?"


Far From the Madding Crowd
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from A Heap O' Livin' by Edgar A. Guest:

Had man the will to free it. 'Tis there upon the mountain top, Or in the widow's notion shop, 'Tis found in homes of sorrow; 'Tis woven in the memories Of happier, brighter days than these, The gift, not of to-morrow But of to-day, and in our tears Some touch of happiness appears.

'Tis not a joy that's born of wealth: The poor man may possess it.


A Heap O' Livin'
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Secret Sharer by Joseph Conrad:

I had been so worried and restless running up and down that I had not had the patience to dress that day. I had remained in my sleeping suit, with straw slippers and a soft floppy hat. The closeness of the heat in the gulf had been most oppressive, and the crew were used to seeing me wandering in that airy attire.

"She will clear the south point as she heads now," I whispered into his ear. "Goodness only knows when, though, but certainly after dark. I'll edge her in to half a mile, as far as I may be able to judge in the dark--"

"Be careful," he murmured, warningly--and I realized suddenly that all my future, the only future for which I was fit,


The Secret Sharer