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Today's Stichomancy for Howard Stern

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Just Folks by Edgar A. Guest:

And looking back we smile to see life's bright red roses reappear, The little sprigs of mignonette that smiled upon us as we passed, The pansy and the violet, too sweet, we thought those days, to last.

The gentle mother by the door caresses still her lilac blooms, And as we wander back once more we seem to smell the old perfumes, We seem to live again the joys that once were ours so long ago When we were little girls and boys, with all the charms we used to know.

But living things grow old and fade; the dead in memory remain, In all their splendid youth arrayed, exempt from suffering and pain; The little babe God called away, so many, many years ago, Is still a little babe to-day, and I am glad that this is so.

Just Folks
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Dunwich Horror by H. P. Lovecraft:

was remarkable for its maturity; for though he shared his mother's and grandfather's chinlessness, his firm and precociously shaped nose united with the expression of his large, dark, almost Latin eyes to give him an air of quasi-adulthood and well-nigh preternatural intelligence. He was, however, exceedingly ugly despite his appearance of brilliancy; there being something almost goatish or animalistic about his thick lips, large-pored, yellowish skin, coarse crinkly hair, and oddly elongated ears. He was soon disliked even more decidedly than his mother and grandsire, and all conjectures about him were spiced with references to the bygone magic of Old Whateley, and how the hills once shook when he shrieked the dreadful name

The Dunwich Horror
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Z. Marcas by Honore de Balzac:

tobacco in a pouch or strewn abroad, also the little piles of cigar- ash left there by our visitors or ourselves.

A pair of calico curtains hung from the brass window rods, and on each side of the window was a small bookcase in cherry-wood, such as every one knows who has stared into the shop windows of the Quartier Latin, and in which we kept the few books necessary for our studies.

The ink in the inkstand was always in the state of lava congealed in the crater of a volcano. May not any inkstand nowadays become a Vesuvius? The pens, all twisted, served to clean the stems of our pipes; and, in opposition to all the laws of credit, paper was even scarcer than coin.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Troll Garden and Selected Stories by Willa Cather:

painter's letters were formal and perfunctory, if his expressions to his friends had been extravagant, contradictory, and often apparently insincere--still, MacMaster felt himself not entirely without authentic sources. It was James who possessed Treffinger's legend; it was with James that he had laid aside his pose. Only in his studio, alone, and face to face with his work, as it seemed, had the man invariably been himself. James had known him in the one attitude in which he was entirely honest; their relation had fallen well within the painter's only indubitable integrity. James's report of Treffinger was distorted by no hallucination of artistic insight, colored by no

The Troll Garden and Selected Stories