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Today's Stichomancy for Hugh Grant

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Tess of the d'Urbervilles, A Pure Woman by Thomas Hardy:

her and him, and she could see that they had been talking of her. He hastily bade them farewell, and splashed back along the stretch of submerged road.

The four moved on together as before, till Marian broke the silence by saying--

"No--in all truth; we have no chance against her!" She looked joylessly at Tess.

"What do you mean?" asked the latter.

"He likes 'ee best--the very best! We could see it as he brought 'ee. He would have kissed 'ee, if you had encouraged him to do it, ever so little."


Tess of the d'Urbervilles, A Pure Woman
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Wheels of Chance by H. G. Wells:

dew was in the air; dew or the relics of an overnight shower glittered on the leaves and grass. Hoopdriver had breakfasted early by Mrs. Gunn's complaisance. He wheeled his machine up Putney Hill, and his heart sang within him. Halfway up, a dissipated-looking black cat rushed home across flile road and vanished under a gate. All the big red-brick houses behind the variegated shrubs and trees had their blinds down still, and he would not have changed places with a soul in any one of them for a hundred pounds.

He had on his new brown cycling suit--a handsome Norfolk jacket thing for 30/--and his legs--those martyr legs--were more than

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Dream Life and Real Life by Olive Schreiner:

with her great white arms and shoulders showing, and her bright hair glittering in the candle-light, and the white rose fastened at her breast. She looked like a queen. I said "Good-evening," and turned away quickly to the glass to arrange my old black scarf across my old black dress.

Then I felt a hand touch my hair.

"Stand still," she said.

I looked in the glass. She had taken the white rose from her breast, and was fastening it in my hair.

"How nice dark hair is; it sets off flowers so." She stepped back and looked at me. "It looks much better there!"

I turned round.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Son of Tarzan by Edgar Rice Burroughs:

with strong jaws closed upon a pulsing jugular, and there he clung, with closed eyes, while his fingers sought another hold upon the shaggy throat.

It was then that Meriem opened her eyes. At the sight before her they went wide.

"Korak!" she cried. "Korak! My Korak! I knew that you would come. Kill him, Korak! Kill him!" And with flashing eyes and heaving bosom the girl, coming to her feet, ran to Korak's side to encourage him. Nearby lay The Killer's spear, where he had flung it as he charged the ape. The girl saw it and snatched it up. No faintness overcame her in the face of this


The Son of Tarzan