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Today's Stichomancy for Hugh Jackman

The first excerpt represents the past or something you must release, and is drawn from An Inland Voyage by Robert Louis Stevenson:

My thoughts were of a grave and almost sombre character, but I still clung to my paddle. The stream ran away with my heels as fast as I could pull up my shoulders, and I seemed, by the weight, to have all the water of the Oise in my trousers-pockets. You can never know, till you try it, what a dead pull a river makes against a man. Death himself had me by the heels, for this was his last ambuscado, and he must now join personally in the fray. And still I held to my paddle. At last I dragged myself on to my stomach on the trunk, and lay there a breathless sop, with a mingled sense of humour and injustice. A poor figure I must have presented to Burns upon the hill-top with his team. But there was the paddle in my

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Myths and Myth-Makers by John Fiske:

simplicity characteristic of an early age with a sustained elevation of style, which can be explained only as due to individual genius.

The same conclusion is forced upon us when we examine the artistic structure of these poems. With regard to the Odyssey in particular, Mr. Grote has elaborately shown that its structure is so thoroughly integral, that no considerable portion could be subtracted without converting the poem into a more or less admirable fragment. The Iliad stands in a somewhat different position. There are unmistakable peculiarities in its structure, which have led even Mr. Grote,


Myths and Myth-Makers
The third excerpt represents the future or something you must embrace, and is drawn from A Man of Business by Honore de Balzac:

equal. Now would it not be nicer to be Mme. Croizeau for some years to come than to do a Count's pleasure for a twelvemonth? He will go off and leave you some time or other; and when that day comes, you will think of me . . . your servant, my pretty lady!'

"All this was simmering below the surface. The slightest approach at love-making was made quite on the sly. Not a soul suspected that the trim little old fogy was smitten with Antonia; and so prudent was the elderly lover, that no rival could have guessed anything from his behavior in the reading-room. For a couple of months Croizeau watched the retired custom-house official; but before the third month was out he had good reason to believe that his suspicions were groundless. He