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Today's Stichomancy for Ice-T

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Scenes from a Courtesan's Life by Honore de Balzac:

perhaps, too, to Paccard, his left hand, who, as he flattered himself, might return to his allegiance when once that thrifty subaltern had safely bestowed the seven hundred and fifty thousand francs that he had stolen. This was the reason why his attention had been so superhumanly alert all along the road. And, strange to say! his hopes were about to be amply fulfilled.

The two solid side-walls of the archway were covered, to a height of six feet, with a permanent dado of mud formed of the splashes from the gutter; for, in those days, the foot passenger had no protection from the constant traffic of vehicles and from what was called the kicking of the carts, but curbstones placed upright at intervals, and much

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Duchesse de Langeais by Honore de Balzac:

of lacework in stone and of other beauties peculiar to the style improperly called Gothic.

The larger part of the nave and aisles was left for the townsfolk, who came and went and heard mass there. The choir was shut off from the rest of the church by a grating and thick folds of brown curtain, left slightly apart in the middle in such a way that nothing of the choir could be seen from the church except the high altar and the officiating priest. The grating itself was divided up by the pillars which supported the organ loft; and this part of the structure, with its carved wooden columns, completed the line of the arcading in the gallery carried by the

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The House of Dust by Conrad Aiken:

And look one instant at the half-dark gardens, Where skeleton elm-trees reach with frozen gesture Above unsteady lamps,--with black boughs flung Against a luminous snow-filled grey-gold sky. 'Beauty!' I cry. . . .My feet move on, and take me Between dark walls, with orange squares for windows. Beauty; beheld like someone half-forgotten, Remembered, with slow pang, as one neglected . . . Well, I am frustrate; life has beaten me, The thing I strongly seized has turned to darkness, And darkness rides my heart. . . .These skeleton elm-trees--

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from 'Twixt Land & Sea by Joseph Conrad:

he did not raise his heavy brown eyelids. To be at the mercy of such a creature was humiliating; and Freya, who always ended by being frank with herself, thought regretfully: "If only I had been open with papa from the first! But then what an impossible life he would have led me!" Yes. Men were absurd in many ways; lovably like Jasper, impracticably like her father, odiously like that grotesquely supine creature in the chair. Was it possible to talk him over? Perhaps it was not necessary? "Oh! I can't talk to him," she thought. And when Heemskirk, still without looking at her, began resolutely to crush his half-smoked cheroot on the coffee-tray, she took alarm, glided towards the piano, opened it in

'Twixt Land & Sea