The first excerpt represents the past or something you must release, and is drawn from Juana by Honore de Balzac: marriage the excitements of intrigue, to hide her husband behind the
curtains of her bed, and say to her adopted father and mother, in case
of detection: "I am the Marquise de Montefiore!"--was to an ignorant
and romantic young girl, who for three years past had dreamed of love
without dreaming of its dangers, delightful. The door closed on this
last evening upon her folly, her happiness, like a veil, which it is
useless here to raise.
It was nine o'clock; the merchant and his wife were reading their
evening prayers; suddenly the noise of a carriage drawn by several
horses resounded in the street; loud and hasty raps echoed from the
shop where the servant hurried to open the door, and into that
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from Ozma of Oz by L. Frank Baum: "But suppose some of them happen to guess aright," persisted the Steward;
"then you would lose your old ornaments and these new ones, too."
"There is no chance of their guessing aright," replied the monarch,
with a laugh. "How could they know that the Queen of Ev and her
family are all ornaments of a royal purple color?"
"But there are no other purple ornaments in the palace," said the Steward.
"There are many other colors, however, and the purple ones are
scattered throughout the rooms, and are of many different shapes and
sizes. Take my word for it, Steward, they will never think of
choosing the purple ornaments."
Billina, squatting under the throne, had listened carefully to all
 Ozma of Oz |
The third excerpt represents the future or something you must embrace, and is drawn from Edingburgh Picturesque Notes by Robert Louis Stevenson: distinction, hard to earn although not greatly
worshipful?
Indifferent buildings give pain to the sensitive;
but these things offend the plainest taste. It is a
danger which threatens the amenity of the town; and as
this eruption keeps spreading on our borders, we have
ever the farther to walk among unpleasant sights, before
we gain the country air. If the population of Edinburgh
were a living, autonomous body, it would arise like one
man and make night hideous with arson; the builders and
their accomplices would be driven to work, like the Jews
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