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Today's Stichomancy for Jennifer Connelly

The first excerpt represents the past or something you must release, and is drawn from The Adventures of Sherlock Holmes by Arthur Conan Doyle:

multiply it in the manner which is familiar to you. The machine goes readily enough, but there is some stiffness in the working of it, and it has lost a little of its force. Perhaps you will have the goodness to look it over and to show us how we can set it right.'

"I took the lamp from him, and I examined the machine very thoroughly. It was indeed a gigantic one, and capable of exercising enormous pressure. When I passed outside, however, and pressed down the levers which controlled it, I knew at once by the whishing sound that there was a slight leakage, which allowed a regurgitation of water through one of the side cylinders. An

The Adventures of Sherlock Holmes
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Copy-Cat & Other Stories by Mary E. Wilkins Freeman:

ferocious. "Just because YOU don't feel the heat, to take out that little pindlin' girl such a day!" she exclaimed.

"Dr. Trumbull said to," persisted Daniel, al- though he looked a little troubled. Sarah Dean did not dream that, for himself, Daniel Wise would have preferred facing an army with banners to going out under that terrible fusillade of sun-rays. She did not dream of the actual heroism which actuated him when he set out with little Dan'l, holding his big umbrella over her little sunbonneted head and

The third excerpt represents the future or something you must embrace, and is drawn from Massimilla Doni by Honore de Balzac:

proceeds from my throat, the old man falls into an ecstasy, his dim eyes light up with their last remaining fires, he is quite happy and will roll on the floor like a drunken man.

"That is why he pays Genovese such a price. Genovese is the only tenor whose voice occasionally sounds in unison with mine. Either we really do sing exactly together once or twice in an evening, or the Duke imagines that we do; and for that imaginary pleasure he has bought Genovese. Genovese belongs to him. No theatrical manager can engage that tenor without me, nor have me to sing without him. The Duke brought me up on purpose to gratify that whim; to him I owe my talent, my beauty,--my fortune, no doubt. He will die of an attack of perfect