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Today's Stichomancy for Jennifer Garner

The first excerpt represents the past or something you must release, and is drawn from Adieu by Honore de Balzac:

These words were said by a huntsman peacefully seated at the edge of the forest of Ile-Adam, who was finishing an Havana cigar while waiting for his companion, who had lost his way in the tangled underbrush of the wood. At his side four panting dogs were watching, as he did, the personage he addressed. To understand how sarcastic were these exhortations, repeated at intervals, we should state that the approaching huntsman was a stout little man whose protuberant stomach was the evidence of a truly ministerial "embonpoint." He was struggling painfully across the furrows of a vast wheat-field recently harvested, the stubble of which considerably impeded him; while to add to his other miseries the sun's rays, striking obliquely on his face,

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Egmont by Johann Wolfgang Von Goethe:

give place to him. I know his blood-thirsty disposition, and he brings an army with him.

Egmont. To harass the provinces anew? The people will be exasperated to the last degree.

Orange. Their leaders will be secured.

Egmont. No! No!

Orange. Let us retire, each to his province. There we can strengthen ourselves; the Duke will not begin with open violence.

Egmont. Must we not greet him when he comes?

Orange. We will delay.

Egmont. What if, on his arrival, he should summon us in the king's name?

The third excerpt represents the future or something you must embrace, and is drawn from At the Sign of the Cat & Racket by Honore de Balzac:

She found supernatural courage to enable her to push through the crowd and join her cousin, who was still struggling with the mass of people that hindered her from getting to the picture.

"You will be stifled!" cried Augustine. "Let us go."

But there are moments, at the Salon, when two women are not always free to direct their steps through the galleries. By the irregular course to which they were compelled by the press, Mademoiselle Guillaume and her cousin were pushed to within a few steps of the second picture. Chance thus brought them, both together, to where they could easily see the canvas made famous by fashion, for once in agreement with talent. Madame Roguin's exclamation of surprise was