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Today's Stichomancy for Jennifer Love Hewitt

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Marriage Contract by Honore de Balzac:

your attempt by a life of retirement. Do you think your wife won't crave the life you say you despise? Will SHE be disgusted with it, as you are? If you won't accept the noble conjugality just formulated for your benefit by your friend de Marsay, listen, at any rate, to his final advice. Remain a bachelor for the next thirteen years; amuse yourself like a lost soul; then, at forty, on your first attack of gout, marry a widow of thirty-six. Then you may possibly be happy. If you now take a young girl to wife, you'll die a madman."

"Ah ca! tell me why!" cried Paul, somewhat piqued.

"My dear fellow," replied de Marsay, "Boileau's satire against women is a tissue of poetical commonplaces. Why shouldn't women have

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Life on the Mississippi by Mark Twain:

ever have been built if he had not run the people mad, a couple of generations ago, with his medieval romances. The South has not yet recovered from the debilitating influence of his books. Admiration of his fantastic heroes and their grotesque 'chivalry' doings and romantic juvenilities still survives here, in an atmosphere in which is already perceptible the wholesome and practical nineteenth-century smell of cotton-factories and locomotives; and traces of its inflated language and other windy humbuggeries survive along with it. It is pathetic enough, that a whitewashed castle, with turrets and things--materials all ungenuine within and without, pretending to be what they are not--

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from A Man of Business by Honore de Balzac:

side had too often had recourse to their legal advisers, and knew them too well to try to "draw them out," in lorette language.

Conversation, perfumed with seven cigars, at first was as fantastic as a kid let loose, but finally it settled down upon the strategy of the constant war waged in Paris between creditors and debtors.

Now, if you will be so good as to recall the history and antecedents of the guests, you will know that in all Paris, you could scarcely find a group of men with more experience in this matter; the professional men on one hand, and the artists on the other, were something in the position of magistrates and criminals hobnobbing together. A set of Bixiou's drawings to illustrate life in the

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Damnation of Theron Ware by Harold Frederic:

kept up a dispute as to whether Alice ought to have been told that this "principal musician" was of her own sex. It would certainly have been better, at the outset, he decided; but to mention it now would be to invest the fact with undue importance. Yes, that was quite clear; only the clearer it became, from one point of view, the shadier it waxed from the other. The problem really disturbed the young minister's mind throughout the meal, and his abstraction became so marked at last that his wife commented upon it.

"A penny for your thoughts!" she said, with cheerful briskness.

The Damnation of Theron Ware