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Today's Stichomancy for Jerry Seinfeld

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Crisis in Russia by Arthur Ransome:

produce a struggle which may well do for Western Europe what Western Europe will have done for Russia.

It is of course possible that in some such way the Russian Revolution may prove to be no more than the last desperate gesture of a stricken civilization. My point is that if that is so, civilization in Russia will not die without infecting us with its disease. It seems to me that our own civilization is ill already, slightly demented perhaps, and liable, like a man in delirium, to do things which tend to aggravate the malady. I think that the whole of the Russian war, waged directly or indirectly by Western Europe, is an

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Alexandria and her Schools by Charles Kingsley:

to lie, to slander, to intrigue, to hate, even to murder, for the sake of what they madly called His glory: but which was really only their own glory--the glory of their own dogmas; of propositions and conclusions in their own brain, which, true or false, were equally heretical in their mouths, because they used them only as watchwords of division. Orthodox or unorthodox, they lost the knowledge of God, for they lost the knowledge of righteousness, and love, and peace. That Divine Logos, and theology as a whole, receded further and further aloft into abysmal heights, as it became a mere dreary system of dead scientific terms, having no practical bearing on their hearts and lives; and then they, as the Neoplatonists had done before them, filled up the

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Tristram Shandy by Laurence Sterne:

stand bolt upright--but that was rejected for the reason given above.

For a whole week after he was determined in his mind to have one of that particular construction which is made to draw back horizontally, to hinder a passage; and to thrust forwards again to gain a passage--of which sorts your worship might have seen three famous ones at Spires before its destruction--and one now at Brisac, if I mistake not;--but my father advising my uncle Toby, with great earnestness, to have nothing more to do with thrusting bridges--and my uncle foreseeing moreover that it would but perpetuate the memory of the Corporal's misfortune--he changed his mind for that of the marquis d'Hopital's invention, which the younger Bernouilli has so well and learnedly described, as your worships may see--Act. Erud. Lips.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Silas Marner by George Eliot:

"Well, here's my turning," said Bryce, not surprised to perceive that Godfrey was rather "down"; "so I'll bid you good-day, and wish I may bring you better news another time."

Godfrey rode along slowly, representing to himself the scene of confession to his father from which he felt that there was now no longer any escape. The revelation about the money must be made the very next morning; and if he withheld the rest, Dunstan would be sure to come back shortly, and, finding that he must bear the brunt of his father's anger, would tell the whole story out of spite, even though he had nothing to gain by it. There was one step, perhaps, by which he might still win Dunstan's silence and put off the evil


Silas Marner