|The first excerpt represents the past or something you must release, and is drawn from A Woman of No Importance by Oscar Wilde:
Lady Caroline Pontefract
Miss Hester Worsley
THE SCENES OF THE PLAY
ACT I. The Terrace at Hunstanton Chase.
ACT II. The Drawing-room at Hunstanton Chase.
ACT III. The Hall at Hunstanton Chase.
|The second excerpt represents the present or the deciding factor of the moment, and is drawn from Animal Farm by George Orwell:
his feet. He fidgeted to and fro, swishing his long black tail against his
sides and occasionally uttering a little whinny of surprise. Finally he
"I do not understand it. I would not have believed that such things could
happen on our farm. It must be due to some fault in ourselves. The
solution, as I see it, is to work harder. From now onwards I shall get up
a full hour earlier in the mornings."
And he moved off at his lumbering trot and made for the quarry. Having got
there, he collected two successive loads of stone and dragged them down to
the windmill before retiring for the night.
The animals huddled about Clover, not speaking. The knoll where they were
|The third excerpt represents the future or something you must embrace, and is drawn from Herbert West: Reanimator by H. P. Lovecraft:
cause, West fully realised. It had at first been his hope to find
a reagent which would restore vitality before the actual advent
of death, and only repeated failures on animals had shewn him
that the natural and artificial life-motions were incompatible.
He then sought extreme freshness in his specimens, injecting his
solutions into the blood immediately after the extinction of life.
It was this circumstance which made the professors so carelessly
sceptical, for they felt that true death had not occurred in any
case. They did not stop to view the matter closely and reasoningly.
It was not long after the faculty had interdicted his work that
West confided to me his resolution to get fresh human bodies in
Herbert West: Reanimator