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Today's Stichomancy for Jessica Biel

The first excerpt represents the past or something you must release, and is drawn from When the Sleeper Wakes by H. G. Wells:

He stretched a huge black arm across the luminous picture, and showed the room whence Graham had escaped, and across the chasm of ruins the course of his flight. Graham recognised the gulf across which the gutter ran, and the wind-wheels where he had crouched from the flying machine. The rest of his path had succumbed to the explosion. He looked again at the Council House, and it was already half hidden, and on the right a hillside with a cluster of domes and pinnacles, hazy, dim and distant, was gliding into view.


When the Sleeper Wakes
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Crowd by Gustave le Bon:

more especially, are concerned, their statements ought never to be invoked. Magistrates are in the habit of repeating that children do not lie. Did they possess a psychological culture a little less rudimentary than is the case they would know that, on the contrary, children invariably lie; the lie is doubtless innocent, but it is none the less a lie. It would be better to decide the fate of an accused person by the toss of a coin than, as has been so often done, by the evidence of a child.

To return to the faculty of observation possessed by crowds, our conclusion is that their collective observations are as erroneous as possible, and that most often they merely represent the

The third excerpt represents the future or something you must embrace, and is drawn from A Heap O' Livin' by Edgar A. Guest:

And in every man's ambition, if we only under- stood, There is much that's fine and splendid; every hope is mostly good. So I cling unto the notion that contented I will be If the men upon life's pathway find a needed friend in me.

I rather like to putter 'round the walks and yards of life, To spray at night the roses that are burned and


A Heap O' Livin'