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Today's Stichomancy for Jessica Simpson

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Menexenus by Plato:

Plato, are undoubtedly genuine. There is another portion of them, including the Epistles, the Epinomis, the dialogues rejected by the ancients themselves, namely, the Axiochus, De justo, De virtute, Demodocus, Sisyphus, Eryxias, which on grounds, both of internal and external evidence, we are able with equal certainty to reject. But there still remains a small portion of which we are unable to affirm either that they are genuine or spurious. They may have been written in youth, or possibly like the works of some painters, may be partly or wholly the compositions of pupils; or they may have been the writings of some contemporary transferred by accident to the more celebrated name of Plato, or of some Platonist in the next generation who aspired to imitate his master. Not

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Odyssey by Homer:

deathless gods that are from everlasting, and in chief to the grey eyed daughter of Zeus. So all night long and through the dawn the ship cleft her way.

Book III

Nestor entertains Telemachus at Pylos and tells him how the Greeks departed from Troy; and sends him for further information to Sparta.

Now the sun arose and left the lovely mere, speeding to the brazen heaven, to give light to the immortals and to mortal men on the earth, the graingiver, and they reached Pylos, the stablished castle of Neleus. There the people were


The Odyssey
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Goodness of St. Rocque and Other Stories by Alice Dunbar:

away from a pinched, pitiful face, whose dull cold eyes hurt you, because you knew they were trying to mirror sorrow, and could not because of their expressionless quality. No matter what the weather or what her other toilet, she always wore a thin little shawl of dingy brick-dust hue about her shoulders. No matter what the occasion or what the day, she always carried her knitting with her, and seldom ceased the incessant twist, twist of the shining steel among the white cotton meshes. She might put down the needles and lace into the spool-box long enough to open oysters, or wrap up fruit and candy, or count out wood and coal into infinitesimal portions, or do her housework; but the


The Goodness of St. Rocque and Other Stories
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Walking by Henry David Thoreau:

setting sun lighting up the opposite side of a stately pine wood. Its golden rays straggled into the aisles of the wood as into some noble hall. I was impressed as if some ancient and altogether admirable and shining family had settled there in that part of the land called Concord, unknown to me--to whom the sun was servant--who had not gone into society in the village--who had not been called on. I saw their park, their pleasure-ground, beyond through the wood, in Spaulding's cranberry-meadow. The pines furnished them with gables as they grew. Their house was not obvious to vision; the trees grew through it. I do not know whether I heard the sounds of a suppressed hilarity or not. They


Walking