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Today's Stichomancy for Julia Roberts

The first excerpt represents the past or something you must release, and is drawn from The Secrets of the Princesse de Cadignan by Honore de Balzac:

service which contrasted with the administrative rigor displayed at a time when political passions were so violent, had bound, so to speak, d'Arthez to Rastignac. The latter and de Marsay were much too clever not to profit by that circumstance; and thus they won over other friends of Michel Chrestien, who did not share his political opinions, and who now attached themselves to the new government. One of them, Leon Giraud, appointed in the first instance master of petitions, became eventually a Councillor of State.

The whole existence of Daniel d'Arthez is consecrated to work; he sees society only by snatches; it is to him a sort of dream. His house is a convent, where he leads the life of a Benedictine; the same sobriety

The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Forged Coupon by Leo Tolstoy:

not blunder in his questions. He was amazed that Stepan should narrate the story of his crimes as if they had been things of long ago, and com- mitted not by him but by some different man.

"Had you no pity for them?" asked Mahin.

"No. I did not know then."

"Well, and now?"

Stepan smiled with a sad smile. "Now," he said, "I would not do it even if I were to be burned alive."

"But why?

The Forged Coupon
The third excerpt represents the future or something you must embrace, and is drawn from Flatland: A Romance of Many Dimensions by Edwin A. Abbot:

Education, Statesmanship, Legislature, Morality, Theology; doing nothing themselves, they are the Causes of everything worth doing, that is done by others.

Although popularly everyone called a Circle is deemed a Circle, yet among the better educated Classes it is known that no Circle is really a Circle, but only a Polygon with a very large number of very small sides. As the number of the sides increases, a Polygon approximates to a Circle; and, when the number is very great indeed, say for example three or four hundred, it is extremely difficult for the most delicate touch to feel any polygonal angles. Let me say rather, it WOULD be difficult:

Flatland: A Romance of Many Dimensions