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Today's Stichomancy for Karl Rove

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Mistress Wilding by Rafael Sabatini:

bending himself - but whether to bow or not was not quite plain - he took some paces backwards, then turned and went out by the window as he had come. But there was a sudden purposefulness in the way he did it that might have warned them this withdrawal was not quite the retreat it seemed.

They watched him with many emotions, predominant among which was relief, and when he was gone Diana rose and came to Ruth.

"Come," she said, and sought to lead her from the room.

But there was Richard now to be reckoned with, Richard from whom the palsy was of a sudden fallen, now that the cause of it had withdrawn. He had his back to the door, and his weak mouth was pursed up into a

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Firm of Nucingen by Honore de Balzac:

diligence in the pursuit of what is usually held to be useless knowledge, he would never have fallen in love with this young lady; as it was, out of the three hundred guests that crowded the handsome rooms in the Rue Saint-Lazare, he alone comprehended the unpublished romance revealed by a garrulous quadrille. People certainly noticed Isaure d'Aldrigger's dancing; but in this present century the cry is 'Skim lightly over the surface, do not lean your weight on it;' so one said (he was a notary's clerk), 'There is a girl that dances uncommonly well;' another (a lady in a turban), 'There is a young lady that dances enchantingly;' and a third (a woman of thirty), 'That little thing is not dancing badly.'--But to return to the great

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Master and Man by Leo Tolstoy:

'Can this be a dream?' he thought, and tried to wake up but could not. It was real snow that lashed his face and covered him and chilled his right hand from which he had lost the glove, and this was a real desert in which he was now left alone like that wormwood, awaiting an inevitable, speedy, and meaningless death.

'Queen of Heaven! Holy Father Nicholas, teacher of temperance!' he thought, recalling the service of the day before and the holy icon with its black face and gilt frame, and the tapers which he sold to be set before that icon and which were almost immediately brought back to him scarcely

Master and Man
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Arizona Nights by Stewart Edward White:

expostulated with him. "Oh, HELL, Rogers," he burst out, "I don't care about the loot. But, suffering cats, think how that fellow sized us up for a lot of pattern-made fools; and how right he was about, it. Why all he did was to sail out of sight around the next corner. He knew we'd start across country; and we did. All we had to do was to lay low, and save our legs. He was BOUND to come back. And we might have nailed him when he landed."

"That's about all there was to it," concluded Colorado Rogers, after a pause, "--except that I've been looking for him ever