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Today's Stichomancy for Kate Beckinsale

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Pellucidar by Edgar Rice Burroughs:

us; but now he couldn't praise it enough.

We had a strong gale for a considerable time, and eventually dropped Hooja's fleet so far astern that we could no longer discern them. And then--ah, I shall never forget that moment--Dian sprang to her feet with a cry of "Land!"

Sure enough, dead ahead, a long, low coast stretched across our bow. It was still a long way off, and we couldn't make out whether it was island or mainland; but at least it was land. If ever shipwrecked mariners were grateful, we were then. Raja and Ranee were


Pellucidar
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Mosses From An Old Manse by Nathaniel Hawthorne:

"Why, here we are, all to rights again!" exclaimed a sweet voice behind. "Thank you for your assistance, gentlemen. My dear Mr. Bullfrog, how you perspire! Do let me wipe your face. Don't take this little accident too much to heart, good driver. We ought to be thankful that none of our necks are broken."

"We might have spared one neck out of the three," muttered the driver, rubbing his ear and pulling his nose, to ascertain whether he had been cuffed or not. "Why, the woman's a witch!"

I fear that the reader will not believe, yet it is positively a fact, that there stood Mrs. Bullfrog, with her glossy ringlets curling on her brow, and two rows of orient pearls gleaming


Mosses From An Old Manse
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from A Connecticut Yankee in King Arthur's Court by Mark Twain:

the expense. I'm one of the worst spendthrifts that ever was born. Why, do you know, sometimes in a single week I spend -- but never mind about that -- you'd never believe it anyway."

And so we went gadding along, dropping in here and there, pricing things, and gossiping with the shop- keepers about the riot, and now and then running across pathetic reminders of it, in the persons of shunned and tearful and houseless remnants of families whose homes had been taken from them and their parents butchered or hanged. The raiment of Marco


A Connecticut Yankee in King Arthur's Court
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Jungle Book by Rudyard Kipling:

"Well! It may be some consolation to you when you're dead to know that I shall settle accounts with the boy. My husband lies on the rubbish heap this morning, but before night the boy in the house will lie very still. What is the use of running away? I am sure to catch you. Little fool, look at me!"

Darzee's wife knew better than to do that, for a bird who looks at a snake's eyes gets so frightened that she cannot move. Darzee's wife fluttered on, piping sorrowfully, and never leaving the ground, and Nagaina quickened her pace.

Rikki-tikki heard them going up the path from the stables, and he raced for the end of the melon patch near the wall. There, in


The Jungle Book