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Today's Stichomancy for Kate Moss

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from A Journal of the Plague Year by Daniel Defoe:

the yard or alley that there was nobody left to give notice to the buriers or sextons that there were any dead bodies there to be buried. It was said, how true I know not, that some of those bodies were so much corrupted and so rotten that it was with difficulty they were carried; and as the carts could not come any nearer than to the Alley Gate in the High Street, it was so much the more difficult to bring them along; but I am not certain how many bodies were then left. I am sure that ordinarily it was not so.

As I have mentioned how the people were brought into a condition to despair of life and abandon themselves, so this very thing had a strange effect among us for three or four weeks; that is, it made them


A Journal of the Plague Year
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Around the World in 80 Days by Jules Verne:

that money was needed for a noble, useful, or benevolent purpose, he supplied it quietly and sometimes anonymously. He was, in short, the least communicative of men. He talked very little, and seemed all the more mysterious for his taciturn manner. His daily habits were quite open to observation; but whatever he did was so exactly the same thing that he had always done before, that the wits of the curious were fairly puzzled.

Had he travelled? It was likely, for no one seemed to know the world more familiarly; there was no spot so secluded that he did not appear to have an intimate acquaintance with it. He often corrected, with a few clear words, the thousand conjectures


Around the World in 80 Days
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Dead Souls by Nikolai Vasilievich Gogol:

had been playing a strange, an ambiguous part. Of course, when he reviewed the contretemps in the light of pure reason, he could not but see that it mattered nothing, and that a few rude words were of no account now that the chief point had been attained; yet man is an odd creature, and Chichikov actually felt pained by the could-shouldering administered to him by persons for whom he had not an atom of respect, and whose vanity and love of display he had only that moment been censuring. Still more, on viewing the matter clearly, he felt vexed to think that he himself had been so largely the cause of the catastrophe.

Yet he was not angry with HIMSELF--of that you may be sure, seeing


Dead Souls
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Pagan and Christian Creeds by Edward Carpenter:

years ago (owing to the Precession of the Equinoxes) that star at the winter solstice did not stand at midnight where you now see it, but almost exactly ON the meridian line. The coming of Sirius therefore to the meridian at midnight became the sign and assurance of the Sun having reached the very lowest point of his course, and therefore of having arrived at the moment of his re-birth. Where then was the Sun at that moment? Obviously in the underworld beneath our feet. Whatever views the ancients may have had about the shape of the earth, it was evident to the mass of people that the Sungod, after illuminating the


Pagan and Christian Creeds