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Today's Stichomancy for Keanu Reeves

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Redheaded Outfield by Zane Grey:

three order. The second inning was short and no tallies were chalked up. Brain hit safely in the third and went to second on a sacrifice. The bleachers began to stamp and cheer. He reached third on an infield hit that the Philadelphia short- stop knocked down but could not cover in time to catch either runner. The cheer in the grand stand was drowned by the roar in the bleachers. Brain scored on a fly-ball to left. A double along the right foul line brought the second runner home. Following that the next batter went out


The Redheaded Outfield
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Heart of the West by O. Henry:

care to see it.

"Throw up your hands," he ordered loudly, stepping out of the wagon- shed with his Winchester at his shoulder.

There was a quick turn of the figure, but no movement to obey, so the ranger pumped in the bullets--one--two--three--and then twice more; for you never could be too sure of bringing down the Cisco Kid. There was no danger of missing at ten paces, even in that half moonlight.

The old ancestor, asleep on his blanket, was awakened by the shots. Listening further, he heard a great cry from some man in mortal distress or anguish, and rose up grumbling at the disturbing ways of moderns.


Heart of the West
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Massimilla Doni by Honore de Balzac:

woman, and she must leave him. What gives its ravishing charm to this quintette is the return to the homelier feelings of life after the grandiose picture of two stupendous and national emotions:--general misery, general joy, expressed with the magic force stamped on them by divine vengeance and with the miraculous atmosphere of the Bible narrative. Now, was not I right?" added Massimilla, as the noble /sretto/ came to a close.

"Voci di giubilo, D' in'orno eccheggino, Di pace l' Iride Per noi spunto."

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Jungle Book by Rudyard Kipling:

"On the rubbish heap by the stables, mourning for Nag. Great is Rikki-tikki with the white teeth."

"Bother my white teeth! Have you ever heard where she keeps her eggs?"

"In the melon bed, on the end nearest the wall, where the sun strikes nearly all day. She hid them there weeks ago."

"And you never thought it worth while to tell me? The end nearest the wall, you said?"

"Rikki-tikki, you are not going to eat her eggs?"

"Not eat exactly; no. Darzee, if you have a grain of sense you will fly off to the stables and pretend that your wing is


The Jungle Book