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Today's Stichomancy for Kurt Vonnegut

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from An Ideal Husband by Oscar Wilde:

seltzer, sir.

SIR ROBERT CHILTERN. Thank you.

LORD GORING. Is your carriage here, Robert?

SIR ROBERT CHILTERN. No; I walked from the club.

LORD GORING. Sir Robert will take my cab, Phipps.

PHIPPS. Yes, my lord. [Exit.]

LORD GORING. Robert, you don't mind my sending you away?

SIR ROBERT CHILTERN. Arthur, you must let me stay for five minutes. I have made up my mind what I am going to do to-night in the House. The debate on the Argentine Canal is to begin at eleven. [A chair falls in the drawing-room.] What is that?

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Theaetetus by Plato:

by Socrates, who is never guilty of a fallacy himself, and is the great detector of the errors and fallacies of others. But this natural presumption is disturbed by the discovery that the Sophists are sometimes in the right and Socrates in the wrong. Like the hero of a novel, he is not to be supposed always to represent the sentiments of the author. There are few modern readers who do not side with Protagoras, rather than with Socrates, in the dialogue which is called by his name. The Cratylus presents a similar difficulty: in his etymologies, as in the number of the State, we cannot tell how far Socrates is serious; for the Socratic irony will not allow him to distinguish between his real and his assumed wisdom. No one is the superior of the invincible Socrates in argument (except in

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Christ in Flanders by Honore de Balzac:

Flanders. First among them was a young knight with two beautiful greyhounds; his long hair flowed from beneath a jeweled cap; he clanked his gilded spurs, curled the ends of his moustache from time to time with a swaggering grace, and looked round disdainfully on the rest of the crew. A high-born damsel, with a falcon on her wrist, only spoke with her mother or with a churchman of high rank, who was evidently a relation. All these persons made a great deal of noise, and talked among themselves as though there were no one else in the boat; yet close beside them sat a man of great importance in the district, a stout burgher of Bruges, wrapped about with a vast cloak. His servant, armed to the teeth, had set down a couple of bags filled

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Second Jungle Book by Rudyard Kipling:

mumbling, "Respect the aged and infirm!" and all the time his little eyes burned like coals under the heavy, horny eyelids on the top of his triangular head, as he shoved his bloated barrel-body along between his crutched legs. Then he settled down, and, accustomed as the Jackal was to his ways, he could not help starting, for the hundredth time, when he saw how exactly the Mugger imitated a log adrift on the bar. He had even taken pains to lie at the exact angle a naturally stranded log would make with the water, having regard to the current of

he season at the time and place. All this was only a matter of habit, of course, because the Mugger had come ashore for


The Second Jungle Book