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Today's Stichomancy for Laurence Fishburne

The first excerpt represents the past or something you must release, and is drawn from The Voice of the City by O. Henry:

Without touching the envelope, Mr. Tolman went to a door and called his partner, Sharp. Together they explored the caverns of an immense safe. Forth they dragged, as trophy of their search a big envelope sealed with wax. This they forcibly invaded, and wagged their venerable heads together over its con- tents. Then Tolman became spokesman.

"Mr. Gillian," he said, formally, "there was a codicil to your uncle's will. It was intrusted to us privately, with instructions that it be not opened until you had furnished us with a full account of your


The Voice of the City
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Great God Pan by Arthur Machen:

for lunch. She was seen by some men in the fields making for the old Roman Road, a green causeway which traverses the highest part of the wood, and they were astonished to observe that the girl had taken off her hat, though the heat of the sun was already tropical. As it happened, a labourer, Joseph W. by name, was working in the forest near the Roman Road, and at twelve o'clock his little son, Trevor, brought the man his dinner of bread and cheese. After the meal, the boy, who was about seven years old at the time, left his father at work, and, as he said, went to look for flowers in the wood, and the man, who could hear him shouting with delight at his


The Great God Pan
The third excerpt represents the future or something you must embrace, and is drawn from The Pupil by Henry James:

and the theory didn't matter much. They had hitherto gone on that of remunerated, as now they would go on that of gratuitous, service; but why should they have so many words about it? Mrs. Moreen at all events continued to be convincing; sitting there with her fifty francs she talked and reiterated, as women reiterate, and bored and irritated him, while he leaned against the wall with his hands in the pockets of his wrapper, drawing it together round his legs and looking over the head of his visitor at the grey negations of his window. She wound up with saying: "You see I bring you a definite proposal."

"A definite proposal?"