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Today's Stichomancy for Lenny Kravitz

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Astoria by Washington Irving:

all command of the vessel was lost, and another mountain wave completely overset her. Orders were given to cut away the masts. In the hurry and confusion, the boats also were unfortunately cut adrift. The wreck then righted, but was a mere hulk, full of water, with a heavy sea washing over it, and all the hatches off. On mustering the crew, one man was missing, who was discovered below in the forecastle, drowned.

In cutting away the masts, it had been utterly impossible to observe the necessary precaution of commencing with the lee rigging, that being, from the position of the ship, completely under water. The masts and spars, therefore, being linked to the

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Anna Karenina by Leo Tolstoy:

All that night and morning Levin lived perfectly unconsciously, and felt perfectly lifted out of the conditions of material life. He had eaten nothing for awhole day,he had not slept for two nights,had spent several hours undressed in the frozen air, and felt not simply fresher and stronger than ever, but felt utterly independent of his body; he moved without muscular effort, and felt as if he could do anything. He was convinced he could fly upwards or lift the corner of the house, if need be. He spent the remainder of the time in the street, incessantly looking at his watch and gazing about him.

And what he saw then, he never saw again after. The children,


Anna Karenina
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Second Jungle Book by Rudyard Kipling:

furious short yells that were drowned in a roar like breakers-- the roar of the wings of the Little People of the Rocks. Some of the dholes, too, had fallen into the gullies that communicated with the underground caves, and there choked and fought and snapped among the tumbled honeycombs, and at last, borne up, even when they were dead, on the heaving waves of bees beneath them, shot out of some hole in the river-face, to roll over on the black rubbish-heaps. There were dholes who had leaped short into the trees on the cliffs, and the bees blotted out their shapes; but the greater number of them, maddened by the stings, had flung themselves into the river; and, as Kaa said, the


The Second Jungle Book
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Maitre Cornelius by Honore de Balzac:

was in the air, more fire about them, than there had been in the actual scene. The Marie of his sleep resisted far less than the living Marie those adoring looks, those tender entreaties, those adroit silences, those voluptuous solicitations, those false generosities, which render the first moments of a passion so completely ardent, and shed into the soul a fresh delirium at each new step in love.

Following the amorous jurisprudence of the period, Marie de Saint- Vallier granted to her lover all the superficial rights of the tender passion. She willingly allowed him to kiss her foot, her robe, her hands, her throat; she avowed her love, she accepted the devotion and life of her lover; she permitted him to die for her; she yielded to an