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Today's Stichomancy for Madonna

The first excerpt represents the past or something you must release, and is drawn from The Augsburg Confession by Philip Melanchthon:

been shown above) that bishops have no power to decree anything against the Gospel. The Canonical Laws teach the same thing (Dist. IX) . Now, it is against Scripture to establish or require the observance of any traditions, to the end that by such observance we may make satisfaction for sins, or merit grace and righteousness. For the glory of Christ's merit suffers injury when, by such observances, we undertake to merit justification. But it is manifest that, by such belief, traditions have almost infinitely multiplied in the Church, the doctrine concerning faith and the righteousness of faith being meanwhile suppressed. For gradually more holy-days were

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Allan Quatermain by H. Rider Haggard:

it on some stony ground, nor could they discover it again. They had, however, scoured the country far and wide, but without success.

After this the afternoon wore drearily on, and towards evening, there still being no signs of Flossie, our anxiety grew very keen. As for the poor mother, she was quite prostrated by her fears, and no wonder, but the father kept his head wonderfully well. Everything that could be done was done: people were sent out in all directions, shots were fired, and a continuous outlook kept from the great tree, but without avail.

And then it grew dark, and still no sign of fair-haired little Flossie.


Allan Quatermain
The third excerpt represents the future or something you must embrace, and is drawn from Sons of the Soil by Honore de Balzac:

natures of childhood and old age were crushed beneath the fierceness of a savage greed,--greed for the property of others now their own by long abuse. All eyes were savage, all gestures menacing; but every one kept silence in presence of the count, the field-keeper, and the bailiff. At this moment all classes were represented,--the great land- owners, the farmers, the working men, the paupers; the social question was defined to the eye; hunger had convoked the actors in the scene. The sun threw into relief the hard and hollow features of those faces; it burned the bare feet dusty with the soil; children were present with no clothing but a torn blouse, their blond hair tangled with straw and chips; some women brought their babes just able to walk, and