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Today's Stichomancy for Madonna

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Copy-Cat & Other Stories by Mary E. Wilkins Freeman:

Lily had overheard Arnold Carruth and Johnny Trumbull and Lee Westminster and another boy, Jim Patterson, planning a most delightful affair, which even in the cases of the boys was fraught with danger, secrecy, and doubtful rectitude. Not one of the four boys had had a vacation from the village that summer, and their young minds had become charged, as it were, with the seeds of revolution and rebellion. Jim Patterson, the son of the rector, and of them all the most venturesome, had planned to take -- he called it "take"; he meant to pay for it,

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Sylvie and Bruno by Lewis Carroll:

I'm afraid you find me a very garrulous old man."

"No indeed!" I exclaimed earnestly. And indeed I felt as if one could not easily tire of the sweet sadness of that gentle voice.

"It is, that we should learn to take our pleasures quickly, and our pains slowly."

"But why? I should have put it the other way, myself."

"By taking artificial pain--which can be as trivial as you please--slowly, the result is that, when real pain comes, however severe, all you need do is to let it go at its ordinary pace, and it's over in a moment!"

"Very true," I said, "but how about the pleasure?"

Sylvie and Bruno
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Paz by Honore de Balzac:

to play only melodramas, in which I have nothing but little bits of parts which don't POSE a woman. How could you misunderstand the nobleness of my feelings for you?--for there are two ways of expressing gratitude. You who seemed so happy in seeing me well- off, how can you leave me in poverty? Oh, my sole friend on earth, before I go back to the country fairs with Bouthor's circus, where I can at least make a living, forgive me if I wish to know whether I have lost you forever. If I were to let myself think of you when I jump through the hoops, I should be sure to break my legs by losing A TIME. Whatever may be the result, I am yours for life.

"Marguerite Turquet."

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Another Study of Woman by Honore de Balzac:

turns them into reality and torment; and such jealousy is as delightful as it is distressing."

A foreign minister smiled as, by the light of memory, he felt the truth of this remark.

"Besides," de Marsay went on, "I said to myself, why miss a happy hour? Was it not better to go, even though feverish? And, then, if she learns that I am ill, I believe her capable of hurrying here and compromising herself. I made an effort; I wrote a second letter, and carried it myself, for my confidential servant was now gone. The river lay between us. I had to cross Paris; but at last, within a suitable distance of her house, I caught sight of a messenger; I charged him to