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Today's Stichomancy for Mahmoud Ahmadinejad

The first excerpt represents the past or something you must release, and is drawn from Lady Windermere's Fan by Oscar Wilde:

to return to the society that has made or seen her ruin.

LORD WINDERMERE. I beg of you.

LADY WINDERMERE. [Crossing to door R.] I am going to dress for dinner, and don't mention the subject again this evening. Arthur [going to him C.], you fancy because I have no father or mother that I am alone in the world, and that you can treat me as you choose. You are wrong, I have friends, many friends.

LORD WINDERMERE. [L.C.] Margaret, you are talking foolishly, recklessly. I won't argue with you, but I insist upon your asking Mrs. Erlynne to-night.

LADY WINDERMERE. [R.C.] I shall do nothing of the kind.

The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Narrative of the Life of Frederick Douglass: An American Slave by Frederick Douglass:

holder can find things, of which to make occasion to whip a slave. A mere look, word, or motion,--a mistake, accident, or want of power,--are all matters for which a slave may be whipped at any time. Does a slave look dissatisfied? It is said, he has the devil in him, and it must be whipped out. Does he speak loudly when spoken to by his master? Then he is getting high-minded, and should be taken down a button-hole lower. Does he forget to pull off his hat at the approach of a white person? Then he is wanting in reverence, and should be whipped for

The Narrative of the Life of Frederick Douglass: An American Slave
The third excerpt represents the future or something you must embrace, and is drawn from Letters from England by Elizabeth Davis Bancroft:

at two o'clock, and found only Lady Byron, with the second boy of Lady Lovelace and his tutor. Lady Byron is now about fifty-five, and with the remains of an attractive, if not brilliant beauty. She has extremely delicate features, and very pale and finely delicate skin. A tone of voice and manner of the most trembling refinement, with a culture and strong intellect, almost masculine, but which betrays itself under such sweet and gentle and unobtrusive forms that one is only led to perceive it by slow degrees. She is the most modest and unostentatious person one can well conceive. She lives simply, and the chief of her large income (you know she was the rich Miss Milbank) she devotes to others. After lunch she