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Today's Stichomancy for Matt Damon

The first excerpt represents the past or something you must release, and is drawn from Rezanov by Gertrude Atherton:

hope of siesta, when Malia (Rosa had been sent to the house of Don Mario Sal in the valley) entered with the message that she was to accompany her parents to the Mission at once. She rose sullenly, but in the manifold essentials of a girl's life she had always yielded the implicit obedience exacted by the Californian parent. In a few moments she was riding out of the Presidio beside her father. Dona Ignacia jolted behind in her carreta, a low and clumsy vehicle, on solid wheels and springless, drawn by oxen, and driven by a stable-boy on a


Rezanov
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Macbeth by William Shakespeare:

He could not misse 'em. Had he not resembled My Father as he slept, I had don't. My Husband? Macb. I haue done the deed: Didst thou not heare a noyse? Lady. I heard the Owle schreame, and the Crickets cry. Did not you speake? Macb. When? Lady. Now

Macb. As I descended? Lady. I


Macbeth
The third excerpt represents the future or something you must embrace, and is drawn from Pagan and Christian Creeds by Edward Carpenter:

as the Aztecs of the sixteenth century A.D. and the Babylonians perhaps of the sixteenth century B.C. But we know that this subject of the yearly sacrifice of a victim attired as a king or god is one that Dr. Frazer has especially made his own, and for further information on it his classic work should be consulted.

[1] Golden Bough, "The Dying God," p. 114. See also S. Reinach, Cults, Myths and Religion, p. 94) on the martyrdom of St. Dasius.

Andrew Lang also, with regard to the Aztecs, quotes largely from Sahagun, and summarizes his conclusions in the following passage: "The general theory of worship was


Pagan and Christian Creeds