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Today's Stichomancy for Mel Gibson

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Symposium by Plato:

be perfected: secondly, that love is the mediator and reconciler of poor, divided human nature: thirdly, that the loves of this world are an indistinct anticipation of an ideal union which is not yet realized.

The speech of Agathon is conceived in a higher strain, and receives the real, if half-ironical, approval of Socrates. It is the speech of the tragic poet and a sort of poem, like tragedy, moving among the gods of Olympus, and not among the elder or Orphic deities. In the idea of the antiquity of love he cannot agree; love is not of the olden time, but present and youthful ever. The speech may be compared with that speech of Socrates in the Phaedrus in which he describes himself as talking dithyrambs. It is at once a preparation for Socrates and a foil to him.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Twenty Years After by Alexandre Dumas:

"Disguised as a coachman!" exclaimed Mazarin.

"And driving the coadjutor's carriage!" said the queen.

"Corpo di Dio! Monsieur d'Artagnan!" said Mazarin, "you are worth your weight in gold."


How D'Artagnan and Porthos earned by selling Straw, the one Two Hundred and Nineteen, and the other Two Hundred and Fifteen Louis d'or.

Mazarin was desirous of setting out instantly for Saint Germain, but the queen declared that she should wait for the people whom she had appointed to meet her. However, she

Twenty Years After
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from In a German Pension by Katherine Mansfield:

other men. Besides, Anna was interested--they talked of practically nothing else together. Excellent mother she'd make for a boy; she had a grip of things.

Church bells started ringing through the windy air, now sounding as though from very far away, then again as though all the churches in the town had been suddenly transplanted into their street. They stirred something in him, those bells, something vague and tender. Just about that time Anna would call him from the hall. "Andreas, come and have your coat brushed. I'm ready." Then off they would go, she hanging on his arm, and looking up at him. She certainly was a little thing. He remembered once saying when they were engaged, "Just as high as my heart," and she had jumped on to a

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Breaking Point by Mary Roberts Rinehart:

pale before, took on a grayish tinge.

"I wasn't - married to her?"

"No. You didn't marry her. See here, Clark, this is straight goods, is it? You're not trying to put something over on me? Because if you are, you needn't. I'd about made up my mind to follow the story through for my own satisfaction, and then quit cold on it. When a man's pulled himself out of the mud as you have it's not my business to pull him down. But I don't want you to pull any bunk."

Dick winced.

"Out of the mud!" he said. "No. I'm telling you the truth, Bassett. I have some fragmentary memories, places and people, but no names,

The Breaking Point