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Today's Stichomancy for Mel Gibson

The first excerpt represents the past or something you must release, and is drawn from The Chinese Boy and Girl by Isaac Taylor Headland:

Old grandmother Snow is coming you know, From the West on a crane--just see how they go. And old aunty Lightning has come from the South, On a big yellow dog with a bit in his mouth. "There is no grandmother Wind, is there, nurse?" "No, of course not, people only call her grandmother Wind." "Why do they call the other mother-in-law Rain?"

The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Pool in the Desert by Sara Jeanette Duncan:

all his clothes.

At the end of the third day she told me that she wished these people wouldn't talk to her; she didn't like them. I had turned in the hour we left the Channel and had not left my berth since, so possibly I was not in the most amiable mood to receive a douche of cold water. 'I must try to remember, dear,' I said, ' that you have been brought up altogether in the society of pussies and vicars and elderly ladies, and of course you miss them. But you must have a little patience. I shall be up tomorrow, if this beastly sea continues to go down; and then we will try to find somebody suitable to introduce to you.'

The third excerpt represents the future or something you must embrace, and is drawn from The Pupil by Henry James:

ever and ever?" cried the boy. "May take me away, away, anywhere he likes?"

"For ever and ever? Comme vous-y-allez!" Mr. Moreen laughed indulgently. "For as long as Mr. Pemberton may be so good."

"We've struggled, we've suffered," his wife went on; "but you've made him so your own that we've already been through the worst of the sacrifice."

Morgan had turned away from his father - he stood looking at Pemberton with a light in his face. His sense of shame for their common humiliated state had dropped; the case had another side - the thing was to clutch at THAT. He had a moment of boyish joy,