The first excerpt represents the past or something you must release, and is drawn from A Modest Proposal by Jonathan Swift: hundred thousand couple whose wives are breeders; from which
number I subtract thirty thousand couple, who are able to
maintain their own children, (although I apprehend there cannot
be so many, under the present distresses of the kingdom) but this
being granted, there will remain an hundred and seventy thousand
breeders. I again subtract fifty thousand, for those women who
miscarry, or whose children die by accident or disease within the
year. There only remain an hundred and twenty thousand children
of poor parents annually born. The question therefore is, How
this number shall be reared, and provided for? which, as I have
already said, under the present situation of affairs, is utterly
 A Modest Proposal |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Figure in the Carpet by Henry James: If I had I shouldn't in advance have had the heart to go on. As it
was, I only became aware little by little, and meanwhile I had done
my work."
"And now you quite like it?" I risked.
"My work?"
"Your secret. It's the same thing."
"Your guessing that," Vereker replied, "is a proof that you're as
clever as I say!" I was encouraged by this to remark that he would
clearly be pained to part with it, and he confessed that it was
indeed with him now the great amusement of life. "I live almost to
see if it will ever be detected." He looked at me for a jesting
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The third excerpt represents the future or something you must embrace, and is drawn from Symposium by Plato: strictness he should rather have spoken of a harmony which succeeds
opposites, for an agreement of disagreements there cannot be. Music too is
concerned with the principles of love in their application to harmony and
rhythm. In the abstract, all is simple, and we are not troubled with the
twofold love; but when they are applied in education with their
accompaniments of song and metre, then the discord begins. Then the old
tale has to be repeated of fair Urania and the coarse Polyhymnia, who must
be indulged sparingly, just as in my own art of medicine care must be taken
that the taste of the epicure be gratified without inflicting upon him the
attendant penalty of disease.
There is a similar harmony or disagreement in the course of the seasons and
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