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Today's Stichomancy for Nick Cave

The first excerpt represents the past or something you must release, and is drawn from Nada the Lily by H. Rider Haggard:

need to waste more blows," said the man who had struck first. "This one will never go back to Zululand, and I think that few will care to follow him. Let us make an end: run, some of you, and find stones to stop the burrow, for now the sport is done."

He turned as he spoke and so did the others, and this was what the Slaughter sought. With a swift movement, he freed himself from the dead man and sprang to his feet. They heard the sound and turned again, but as they turned Groan-Maker pecked softly, and that man who had sworn by the Lily was no more a man. Then Umslopogaas leaped forwards, and, bounding on to the great rock, stood there like a buck against the sky.

Nada the Lily
The second excerpt represents the present or the deciding factor of the moment, and is drawn from An Open Letter on Translating by Dr. Martin Luther:

blasphemies. They want to give to Christendom the damage caused by their own negligence. Then, when we say, "Christendom does not err," we shall also be saying that they do not err, since Christendom believes it to be so. So no pilgrimage can be wrong, no matter how obviously the Devil is a participant in it. No indulgence can be wrong, regardless of how horrible the lies involved. In other words, there is nothing there but holiness! Therefore to this you reply, "It is not a question of who is and who is not condemned." They inject this irrelevant idea in order to divert us from the topic at hand. We are now discussing the Word of God. What Christendom is or do does belongs somewhere

The third excerpt represents the future or something you must embrace, and is drawn from Almayer's Folly by Joseph Conrad:

in her power to end it with a word, longing to bring peace to that troubled heart, she heard with terror the voice of her overpowering love commanding her to be silent. And she submitted after a short and fierce struggle of her old self against the new principle of her life. She wrapped herself up in absolute silence, the only safeguard against some fatal admission. She could not trust herself to make a sign, to murmur a word for fear of saying too much; and the very violence of the feelings that stirred the innermost recesses of her soul seemed to turn her person into a stone. The dilated nostrils and the flashing eyes were the only signs of the storm raging within, and those signs

Almayer's Folly