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Today's Stichomancy for Pamela Anderson

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Enoch Arden, &c. by Alfred Tennyson:

ENOCH ARDEN.

ENOCH ARDEN. -----<>-----

Long lines of cliff breaking have left a chasm; And in the chasm are foam and yellow sands; Beyond, red roofs about a narrow wharf In cluster; then a moulder'd church; and higher A long street climbs to one tall-tower'd mill; And high in heaven behind it a gray down With Danish barrows; and a hazelwood, By autumn nutters haunted, flourishes

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Vision Splendid by William MacLeod Raine:

"Not to you because you consider yourself above criticism. But it matters to me that two honest men should be brought into unjust obloquy without cause."

"My dear Hothead, they are big enough to look out for themselves."

"Nobody is big enough to kill slander."

"Nonsense, child. You make a mountain out of a mole hill. People WILL gossip. It really isn't of the least importance what they gabble about."

"Especially when you want to amuse yourself by making a fool of Mr. Farnum," retorted the downright Alice with a touch of asperity.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Paz by Honore de Balzac:

by the Revolution, who had escaped to Brussels and died there after going into bankruptcy. The Englishman died in Paris, of Paris; for to many persons Paris is a disease,--sometimes several diseases. His widow, a Methodist, had a horror of the little nabob establishment, and ordered it to be sold. Comte Adam bought it at a bargain; and how he came to do so shall presently be made known, for bargains were not at all in his line as a grand seigneur.

Behind the house lay the verdant velvet of an English lawn shaded at the lower end by a clump of exotic trees, in the midst of which stood a Chinese pagoda with soundless belfries and motionless golden eggs. The greenhouse concealed the garden wall on the northern side, the

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Fanny Herself by Edna Ferber:

Brandeis had a long and loyal following of these women. It was before the day when every farmhouse boasted an automobile, a telephone, and a phonograph.

A worn and dreary lot, these farmer women, living a skimmed milk existence, putting their youth, and health, and looks into the soil. They used often to sit back near the stove in winter, or in a cool corner near the front of the store in summer, and reveal, bit by bit, the sordid, tragic details of their starved existence. Fanny was often shocked when they told their age--twenty-five, twenty-eight, thirty, but old and withered from drudgery, and child-bearing, and


Fanny Herself