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Today's Stichomancy for Paul McCartney

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Blix by Frank Norris:

There was one "point" in the story of Jukes' strange ride that Condy prided himself upon having discovered. So far as he knew, all critics had overlooked it. It is where Jukes is describing the man-trap of the City of the Dead who are alive, and mentions that the slope of the inclosing sandhills was "about forty-five degrees." Jukes was a civil engineer, and Condy held that it was a capital bit of realism on the part of the author to have him speak of the pitch of the hills in just such technical terms. At first he thought he would call Travis' attention to this bit of cleverness; but as he read he abruptly changed his mind. He would

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Cromwell by William Shakespeare:

Where now may poor distressed people go, For to relieve their need, or rest their bones, When weary travel doth oppress their limbs? And where religious men should take them in, Shall now be kept back with a Mastiff do, And thousand thousand--

NORFOLK. O, my Lord, no more: things past redress Tis bootless to complain.

CROMWELL. What, shall we to the Convocation house?

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from New Poems by Robert Louis Stevenson:

To keep the pining spirit young; To act the right, to say the true, And to be kind whate'er you do.

Thus we across the modern stage Follow the wise of every age; And, as oaks grow and rivers run Unchanged in the unchanging sun, So the eternal march of man Goes forth on an eternal plan.


SMALL is the trust when love is green

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from 1984 by George Orwell:

her livid, gasping face came within the angle of his vision. Even in his terror it was as though he could feel the pain in his own body, the deadly pain which nevertheless was less urgent than the struggle to get back her breath. He knew what it was like; the terrible, agonizing pain which was there all the while but could not be suffered yet, because before all else it was necessary to be able to breathe. Then two of the men hoisted her up by knees and shoulders, and carried her out of the room like a sack. Winston had a glimpse of her face, upside down, yellow and contorted, with the eyes shut, and still with a smear of rouge on either cheek; and that was the last he saw of her.

He stood dead still. No one had hit him yet. Thoughts which came of their