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Today's Stichomancy for Pierce Brosnan

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Pupil by Henry James:

while at the time; since he had never seen a family so brilliantly equipped for failure. Wasn't it success to have kept him so hatefully long? Wasn't it success to have drawn him in that first morning at dejeuner, the Friday he came - it was enough to MAKE one superstitious - so that he utterly committed himself, and this not by calculation or on a signal, but from a happy instinct which made them, like a band of gipsies, work so neatly together? They amused him as much as if they had really been a band of gipsies. He was still young and had not seen much of the world - his English years had been properly arid; therefore the reversed conventions of the Moreens - for they had THEIR desperate proprieties - struck him as

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Aeroplanes and Dirigibles of War by Frederick A. Talbot:

leaving the structure to swing round with the wind. But on dry land such a dock is impossible. Accordingly turntable sheds have been adopted. The shed is mounted upon a double turn-table, there being two circular tracks the one near the centre of the shed and the other towards its extremities. The shed is mounted upon a centre pivot and wheels engaged with these inner and outer tracks. In this manner the shed may be swung round to the most favourable point of the compass according to the wind.

In the field, however, such practices are impossible, and the issue in this connection has been overcome by recourse to what may be termed portable harbours. They resemble the tents of

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Rivers to the Sea by Sara Teasdale:

The dreaming peacocks stirred And the gleaming dew-drops fell.


BENEATH my chamber window Pierrot was singing, singing; I heard his lute the whole night thru Until the east was red. Alas, alas, Pierrot, I had no rose for flinging Save one that drank my tears for dew Before its leaves were dead.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from God The Invisible King by H. G. Wells:

that leads to God.


Modern religion bases its knowledge of God and its account of God entirely upon experience. It has encountered God. It does not argue about God; it relates. It relates without any of those wrappings of awe and reverence that fold so necessarily about imposture, it relates as one tells of a friend and his assistance, of a happy adventure, of a beautiful thing found and picked up by the wayside.

So far as its psychological phases go the new account of personal salvation tallies very closely with the account of "conversion" as