Today's Stichomancy for Rebecca Gayheart

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Mysterious Island by Jules Verne:

examined all that mass of granite, and there is not a hole, not a cranny!"

"No, not one!" added Pencroft. "Ah, if we were able to dig out a dwelling in that cliff, at a good height, so as to be out of the reach of harm, that would be capital! I can see that on the front which looks seaward, five or six rooms--"

"With windows to light them!" said Herbert, laughing.

"And a staircase to climb up to them!" added Neb.

"You are laughing," cried the sailor, "and why? What is there impossible in what I propose? Haven't we got pickaxes and spades? Won't Captain Harding be able to make powder to blow up the mine? Isn't it true, captain, that you will make powder the very day we want it?"

The Mysterious Island

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Commentary on the Epistle to the Galatians by Martin Luther:

law. The fact that you are circumcised does not mean you are righteous and free from the Law. The truth is that by circumcision you have become debtors and servants of the Law. The more you endeavor to perform the Law, the more you will become tangled up in the yoke of the Law."

The truth of this I have experienced in myself and in others. I have seen many work themselves down to the bones in their hungry effort to obtain peace of conscience. But the harder they tried the more they worried. Especially in the presence of death they were so uneasy that I have seen murderers die with better grace and courage.

This holds true also in regard to the church regulations. When I was a monk I tried ever so hard to live up to the strict rules of my order. I used

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Gorgias by Plato:

of the mythus to the previous discussion should not be overlooked: the fate reserved for incurable criminals such as Archelaus; the retaliation of the box on the ears; the nakedness of the souls and of the judges who are stript of the clothes or disguises which rhetoric and public opinion have hitherto provided for them (compare Swift's notion that the universe is a suit of clothes, Tale of a Tub). The fiction seems to have involved Plato in the necessity of supposing that the soul retained a sort of corporeal likeness after death. (3) The appeal of the authority of Homer, who says that Odysseus saw Minos in his court 'holding a golden sceptre,' which gives verisimilitude to the tale.

It is scarcely necessary to repeat that Plato is playing 'both sides of the

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Fables by Robert Louis Stevenson:

sure he will afford relief."

Some three years later, the young man came running to the physician's house in a great perturbation. "What is the meaning of this?" he cried. "Here was I to be set free from the bondage of sin; and I have just committed forgery, arson and murder."

"Dear me," said the physician. "This is very serious. Off with your clothes at once." And as soon as the young man had stripped, he examined him from head to foot. "No," he cried with great relief, "there is not a flake broken. Cheer up, my young friend, your paint is as good as new."

"Good God!" cried the young man, "and what then can be the use of