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Today's Stichomancy for Rebecca Romijn

The first excerpt represents the past or something you must release, and is drawn from Confessio Amantis by John Gower:

Forthi, so as thou thanne wroghtest, Nou schalt thou take thi reward Of dedly peine hierafterward In helle, which schal evere laste; And this Lazar nou ate laste The worldes peine is overronne, In hevene and hath his lif begonne 1060 Of joie, which is endeles. Bot that thou preidest natheles, That I schal Lazar to the sende With water on his finger ende,


Confessio Amantis
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Astoria by Washington Irving:

young men, however, full of courage, health, and good spirits, and stimulated rather than appalled by danger.

On the morning of the 31st of July, all preparations being concluded, Mr. Stuart and his little band mounted their steeds and took a farewell of their fellow-travellers, who gave them three hearty cheers as they set out on their dangerous journey. The course they took was to the southeast, towards the fated region of the Snake River. At an immense distance rose a chain of craggy mountains, which they would have to traverse; they were the same among which the travellers had experienced such sufferings from cold during the preceding winter, and from their

The third excerpt represents the future or something you must embrace, and is drawn from The Schoolmistress and Other Stories by Anton Chekhov:

The old man recalls aloud the expenditure of the day before, and writes down in a tattered notebook where and how much he had given to guards, engine-drivers, oilers. . . .

Meanwhile the passenger train has long ago gone off, and an engine runs backwards and forwards on the empty line, apparently without any definite object, but simply enjoying its freedom. The sun has risen and is playing on the snow; bright drops are falling from the station roof and the tops of the vans.

Having finished his tea, the old man lazily saunters from the van to the station. Here in the middle of the first-class waiting-room he sees the familiar figure of the guard standing


The Schoolmistress and Other Stories