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Today's Stichomancy for Rebecca Romijn

The first excerpt represents the past or something you must release, and is drawn from The Amazing Interlude by Mary Roberts Rinehart:

"Your staff, mademoiselle!" he said. "And your residence!"

Sara Lee looked about her. With the trifling exception that there was no roof, it was whole. And the roof was not necessary, for the floors of the upper story served instead. There was a narrow passage with a room on either side, and a tiny kitchen behind.

Henri threw open a door on the right.

"Your bedroom," he said. "Well furnished, as you will see. It should be, since there has been brought here all the furniture not destroyed in the village."

His blacker mood had fallen away before her naive delight. He went about smiling boyishly, showing her the kettles in the kitchen; the

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Puck of Pook's Hill by Rudyard Kipling:

set in wood, and tyres of wheels joined by chains. The Little People come there to steal iron for their arrow-heads.

'But the Wall itself is not more wonderful than the town behind it. Long ago there were great ramparts and ditches on the South side, and no one was allowed to build there. Now the ramparts are partly pulled down and built over, from end to end of the Wall; making a thin town eighty miles long. Think of it! One roaring, rioting, cock-fighting, wolf-baiting, horse-racing town, from Ituna on the West to Segedunum on the cold eastern beach! On one side heather, woods and ruins where Picts

The third excerpt represents the future or something you must embrace, and is drawn from Confessio Amantis by John Gower:

Whom alle vertu hath begon, That in hire is no violence Bot goodlihiede and innocence Withouten spot of eny blame? Ha, nyce herte, fy for schame] 610 Ha, couard herte of love unlered, Wherof art thou so sore afered, That thou thi tunge soffrest frese, And wolt thi goode wordes lese, Whan thou hast founde time and space? How scholdest thou deserve grace,


Confessio Amantis