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Today's Stichomancy for Ricky Martin

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from When the World Shook by H. Rider Haggard:

Great King, make prayer and offer sacrifice. Twenty times ten thousand years and more have gone by since I, Oro, visited this, thy temple and knelt before this, thy living effigy, yet thou, ruler of the world, dost remember the prayer I made and the sacrifice I offered. The prayer was for triumph over my enemies and the sacrifice a promise of the lives of half of those who in that day dwelt upon the earth. Thou heardest the prayer, thou didst bow thy head and accept the sacrifice. Yea, the prayer was granted and the sacrifice was made, and in it were counted the number of my foes.

"Then I slept. Through countless generations I slept on and at

When the World Shook
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Modeste Mignon by Honore de Balzac:

years of age, unable to decide on a satisfactory date. The Cardinal d'Herouville flourished in the history of the Church at least a century before the cardinal of whom we boast as our only family glory,--for I take no account of lieutenant-generals, and abbes who write trumpery little verses.

Moreover, I do not live in the magnificent villa Vilquin; there is not in my veins, thank God, the ten-millionth of a drop of that chilly blood which flows behind a counter. I come on one side from Germany, on the other from the south of France; my mind has a Teutonic love of reverie, my blood the vivacity of Provence. I am noble on my father's and on my mother's side. On my mother's I

Modeste Mignon
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Beauty and The Beast by Bayard Taylor:

accident. The old nurse Katinka, had meanwhile assisted the lovely Helena into the house.

The old man turned to follow, shivering in the night-air. Suddenly recollecting himself, he begged the Prince to enter and take some refreshments, but with the air and tone of a man who hopes that his invitation will not be accepted. If such was really his hope, he was disappointed; for Boris instantly commanded the istvostchik to wait for him, and entered the humble dwelling.

The apartment into which he was ushered was spacious, and plainly, yet not shabbily furnished. A violoncello and clavichord, with several portfolios of music, and scattered sheets of ruled paper,

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Scarlet Pimpernel by Baroness Emmuska Orczy:

making for your sake?

"Nothing of importance," she said, staring mechanically before her, "but it might prove a clue. I contrived--no matter how--to detect Sir Andrew Ffoulkes in the very act of burning a paper at one of these candles, in this very room. That paper I succeeded in holding between my fingers for the space of two minutes, and to cast my eyes on it for that of ten seconds."

"Time enough to learn its contents?" asked Chauvelin, quietly.

She nodded. Then continued in the same even, mechanical tone of voice--

"In the corner of the paper there was the usual rough device

The Scarlet Pimpernel