|The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Pierrette by Honore de Balzac:
direction, it was manifest, of course, that the coming elections would
be contested. Madame Tiphaine, whose highest hope was to take her
husband to Paris as deputy, was in despair. After reading an article
in the new paper aimed at her and at Julliard junior, she remarked:
"Unfortunately for me, I forgot that there is always a scoundrel close
to a dupe, and that fools are magnets to clever men of the fox breed."
As soon as the "Courrier" was fairly launched on a radius of fifty
miles, Vinet bought a new coat and decent boots, waistcoats, and
trousers. He set up the gray slouch hat sacred to liberals, and showed
his linen. His wife took a servant, and appeared in public dressed as
the wife of a prominent man should be; her caps were pretty. Vinet
|The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Options by O. Henry:
silver cup with a cloth, and she looked like a pearl laid against
black velvet. She turned on me a flatteringly protracted but a
wiltingly disapproving gaze, and then went inside, humming a light
song to indicate the value she placed upon my existence.
Small wonder: for Dr. Stamford (the most disreputable professional
man between Juneau and Valparaiso) and I were zigzagging along the
turfy street, tunelessly singing the words of Auld Lang Syne to the
air of Muzzer's Little Coal-Black Coon. We had come from the ice
factory, which was Mojada's palace of wickedness, where we had been
playing billiards and opening black bottles, white with frost, that we
dragged with strings out of old Sandoval's ice-cold vats.
|The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Street of Seven Stars by Mary Roberts Rinehart:
returned in the evening to find her still sulking, still sewing.
But Marie did not sulk all day, or sew. She too was out, never
far from Stewart, always watching. Many times she escaped
discovery only by a miracle, as when she stooped behind an
oxcart, pretending to tie her shoe, or once when they all met
face to face, and although she lowered her veil Stewart must have
known her instantly had he not been so intent on helping Anita
over a slippery gutter.
She planned a dozen forms of revenge and found them impossible of
execution. Stewart himself was frightfully unhappy. For the first
time in his life he was really in love, with all the humility of
|The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Wizard of Oz by L. Frank Baum:
Dorothy at once ran back to the cottage and found the oil-can,
and then she returned and asked anxiously, "Where are your joints?"
"Oil my neck, first," replied the Tin Woodman. So she oiled it,
and as it was quite badly rusted the Scarecrow took hold of the tin
head and moved it gently from side to side until it worked freely,
and then the man could turn it himself.
"Now oil the joints in my arms," he said. And Dorothy oiled
them and the Scarecrow bent them carefully until they were quite
free from rust and as good as new.
The Tin Woodman gave a sigh of satisfaction and lowered his
axe, which he leaned against the tree.
The Wizard of Oz