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Today's Stichomancy for Ron Howard

The first excerpt represents the past or something you must release, and is drawn from An Open Letter on Translating by Dr. Martin Luther:

easily proven that there has always been a great deal of secret murmuring and complaining against the clergy throughout the world, and that they are not treating Christendom properly. And the papal asses have courageously withstood such complaining with fire and sword, even to the present day. This murmuring proves how happy Christians have been over these blasphemies, and how right they have been in doing them! So out with it, you papal asses! Say that this is the teaching of Christendom: these stinking lies which you villains and traitors have forced upon Christendom and for the sake of which you murderers have killed many Christians. Why each letter of every

The second excerpt represents the present or the deciding factor of the moment, and is drawn from End of the Tether by Joseph Conrad:

a job. It was all very well to stretch a point on the demand of a consul-general, but . . .

"What's the matter with the ship?" Captain Whalley interrupted in measured tones.

"Nothing's the matter. Sound old steamer. Her owner has been in my office this afternoon tearing his hair."

"Is he a white man?" asked Whalley in an interested voice.

"He calls himself a white man," answered the Master- Attendant scornfully; "but if so, it's just skin-deep


End of the Tether
The third excerpt represents the future or something you must embrace, and is drawn from Montezuma's Daughter by H. Rider Haggard:

the dying. Next through the open door came the choir, eight veiled nuns walking two by two, and ranging themselves on either side of the vault they ceased their singing. After them followed the doomed woman, guarded by two more nuns, and last of all a priest bearing a crucifix. This man wore a black robe, and his thin half- frenzied face was uncovered. All these and other things I noticed and remembered, yet at the time it seemed to me that I saw nothing except the figure of the victim. I knew her again, although I had seen her but once in the moonlight. She was changed indeed, her lovely face was fuller and the great tormented eyes shone like stars against its waxen pallor, relieved by the carmine of her lips


Montezuma's Daughter