The first excerpt represents the past or something you must release, and is drawn from Flatland: A Romance of Many Dimensions by Edwin A. Abbot: "You see," said my Teacher, "how little your words have done. So far
as the Monarch understands them at all, he accepts them as his own --
for he cannot conceive of any other except himself --
and plumes himself upon the variety of 'Its Thought' as an instance
of creative Power. Let us leave this God of Pointland to the ignorant
fruition of his omnipresence and omniscience: nothing that you or I
can do can rescue him from his self-satisfaction."
After this, as we floated gently back to Flatland, I could hear
the mild voice of my Companion pointing the moral of my vision,
and stimulating me to aspire, and to teach others to aspire.
He had been angered at first -- he confessed -- by my ambition to soar
 Flatland: A Romance of Many Dimensions |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Seraphita by Honore de Balzac: the hart panting for the water-brooks. Desire shall lend you its
wings; tears, those blossoms of repentance, shall be the celestial
baptism from which your nature will issue purified. Cast yourself on
the breast of the stream in Prayer! Silence and meditation are the
means of following the Way. God reveals Himself, unfailingly, to the
solitary, thoughtful seeker.
"It is thus that the separation takes place between Matter, which so
long has wrapped its darkness round you, and Spirit, which was in you
from the beginning, the light which lighted you and now brings noon-
day to your soul. Yes, your broken heart shall receive the light; the
light shall bathe it. Then you will no longer feel convictions, they
 Seraphita |
The third excerpt represents the future or something you must embrace, and is drawn from The Mayor of Casterbridge by Thomas Hardy: was odd about the necessity for that sunshade. She
discovered that with the clarification of her complexion and
the birth of pink cheeks her skin had grown more sensitive
to the sun's rays. She protected those cheeks forthwith,
deeming spotlessness part of womanliness.
Henchard had become very fond of her, and she went out with
him more frequently than with her mother now. Her
appearance one day was so attractive that he looked at her
critically.
"I happened to have the ribbon by me, so I made it up," she
faltered, thinking him perhaps dissatisfied with some rather
 The Mayor of Casterbridge |