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Today's Stichomancy for Sean Connery

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Heritage of the Desert by Zane Grey:

off the trail to softer ground and went on. He climbed the slope, passed the old pool, now a mud-puddle, and crossed the dry wash to be brought suddenly to a halt. Wolf had made an uneasy stand with his nose pointing to the left, and Silvermane pricked up his ears. Presently Hare heard the stamping of hoofs off in the cedars, and before he had fully determined the direction from which the sound came three horses and a man stepped from the shade into a sunlit space.

As luck would have it Hare happened to be well screened by a thick cedar; and since there was a possibility that he might remain unseen he chose to take it. Silvermane and Wolf stood still in their tracks. Hare felt Mescal's hands tighten on his coat and he pressed them to reassure her.

The Heritage of the Desert
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Secrets of the Princesse de Cadignan by Honore de Balzac:

soldiers, although such beings have nothing else to do. She was a connoisseur, and knew very well that the capacity for love reveals itself chiefly in mere nothings. A woman well informed in such matters can read her future in a simple gesture; just as Cuvier could say from the fragment of a bone: This belonged to an animal of such or such dimensions, with or without horns, carnivorous, herbivorous, amphibious, etc., age, so many thousand years. Sure now of finding in d'Arthez as much imagination in love as there was in his written style, she thought it wise to bring him up at once to the highest pitch of passion and belief.

She withdrew her hand hastily, with a magnificent movement full of

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Plain Tales from the Hills by Rudyard Kipling:

one generation at a time. You must consider the next from the native point of view. Curiously enough, the native now and then, and in Northern India more particularly, hates being over-protected against himself. There was a Naga village once, where they lived on dead AND buried Commissariat mules . . . . But that is another story.

For many reasons, to be explained later, the people concerned objected to the Bill. The Native Member in Council knew as much about Punjabis as he knew about Charing Cross. He had said in Calcutta that "the Bill was entirely in accord with the desires of that large and important class, the cultivators;" and so on, and so

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Verses 1889-1896 by Rudyard Kipling:

But Holkar's Horse were flying, and our chiefest chiefs were cold, And like a flame among us leapt the long lean Northern knife. I held by Scindia -- my lance from butt to tuft was dyed, The froth of battle bossed the shield and roped the bridle-chain -- What time beneath our horses' feet a maiden rose and cried, And clung to Scindia, and I turned a sword-cut from the twain. (He set a spell upon the maid in woodlands long ago, A hunter by the Tapti banks she gave him water there: He turned her heart to water, and she followed to her woe.

Verses 1889-1896