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Today's Stichomancy for Shaquille O'Neal

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Lock and Key Library by Julian Hawthorne, Ed.:

would have pardoned him--nay, I had resolved to do so, when a fierce Jew, who had a deep malignity toward this man, swore that he would accomplish HIS vengeance at all events, and perhaps might be obliged to include Margaret in the ruin, unless I adhered to the original scheme. Then I yielded; for circumstances armed this man with momentary power. But the night fixed on was one in which I had reason to know that my wife would be absent; for so I had myself arranged with her, and the unhappy counter-arrangement I do not yet understand. Let me add, that the sole purpose of my clandestine marriage was to sting her grandfather's mind with the belief that HIS family had been dishonored, even as he had

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Crowd by Gustave le Bon:

Yet whence can this admirably organised production have arisen, except it be the outcome of the unconscious genius of crowds? The most learned academics, the most esteemed grammarians can do no more than note down the laws that govern languages; they would be utterly incapable of creating them. Even with respect to the ideas of great men are we certain that they are exclusively the offspring of their brains? No doubt such ideas are always created by solitary minds, but is it not the genius of crowds that has furnished the thousands of grains of dust forming the soil in which they have sprung up?

Crowds, doubtless, are always unconscious, but this very

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Damnation of Theron Ware by Harold Frederic:

Celia, returning to the blue and yellow room, lighted a cigarette and helped herself to some Benedictine in the glass which Theron had used. She looked meditatively at this little glass for a moment, turning it about in her fingers with a smile. The smile warmed itself suddenly into a joyous laugh. She tossed the glass aside, and, holding out her flowing skirts with both hands, executed a swinging pirouette in front of the gravely beautiful statue of the armless woman.

CHAPTER XX

It was apparent to the Rev. Theron Ware, from the very first moment of waking next morning, that both he and


The Damnation of Theron Ware
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Kenilworth by Walter Scott:

of."

"Nay, after these baulks," said Michael Lambourne, "I need hardly inquire after Tony Foster; for when ropes, and crossbow shafts, and pursuivant's warrants, and such-like gear, were so rife, Tony could hardly 'scape them."

"Which Tony Foster mean you?" said the innkeeper.

"Why, him they called Tony Fire-the-Fagot, because he brought a light to kindle the pile round Latimer and Ridley, when the wind blew out Jack Thong's torch, and no man else would give him light for love or money."

"Tony Foster lives and thrives," said the host. "But, kinsman, I


Kenilworth