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Today's Stichomancy for Simon Cowell

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Verses 1889-1896 by Rudyard Kipling:

The mangled stallion's scream at night, the tail-cropped heifer's low. Who set the whisper going first? You know, and well you know! My soul! I'd sooner lie in jail for murder plain and straight, Pure crime I'd done with my own hand for money, lust, or hate, Than take a seat in Parliament by fellow-felons cheered, While one of those "not provens" proved me cleared as you are cleared. Cleared -- you that "lost" the League accounts -- go, guard our honour still, Go, help to make our country's laws that broke God's law at will -- One hand stuck out behind the back, to signal "strike again";


Verses 1889-1896
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Ann Veronica by H. G. Wells:

life. Now the sense of beauty was spreading to a multitude of hitherto unsuspected aspects of the world about her.

The thought of beauty became an obsession. It interwove with her biological work. She found herself asking more and more curiously, "Why, on the principle of the survival of the fittest, have I any sense of beauty at all?" That enabled her to go on thinking about beauty when it seemed to her right that she should be thinking about biology.

She was very greatly exercised by the two systems of values--the two series of explanations that her comparative anatomy on the one hand and her sense of beauty on the other, set going in her

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Misalliance by George Bernard Shaw:

LORD SUMMERHAYS. It's not alone that. Ive not forgotten the brutality of my own boyhood. But do try to learn, glorious young beast that you are, that age is squeamish, sentimental, fastidious. If you cant understand my holier feelings, at least you know the bodily infirmities of the old. You know that I darent eat all the rich things you gobble up at every meal; that I cant bear the noise and racket and clatter that affect you no more than they affect a stone. Well, my soul is like that too. Spare it: be gentle with it _[he involuntarily puts out his hands to plead: she takes them with a laugh]._ If you could possibly think of me as half an angel and half an invalid, we should get on much better together.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Within the Tides by Joseph Conrad:

whereas Bamtz was, not to mince words, an abject sort of creature. On the other hand, that bearded loafer, who looked much more like a pirate than a bookkeeper, was not a brute. He was gentle - rather - even in his cups. And then, despair, like misfortune, makes us acquainted with strange bed-fellows. For she may well have despaired. She was no longer young - you know.

"On the man's side this conjunction is more difficult to explain, perhaps. One thing, however, must be said of Bamtz; he had always kept clear of native women. As one can't suspect him of moral delicacy, I surmise that it must have been from prudence. And he, too, was no longer young. There were many white hairs in his


Within the Tides