|The first excerpt represents the past or something you must release, and is drawn from Pierre Grassou by Honore de Balzac:
longer exists, there is no longer anything judged. But whatever
artists may be doing now, they will come back in time to the
examination and selection which presents their works to the admiration
of the crowd for whom they work. Without selection by the Academy
there will be no Salon, and without the Salon art may perish.
Ever since the catalogue has grown into a book, many names have
appeared in it which still remain in their native obscurity, in spite
of the ten or a dozen pictures attached to them. Among these names
perhaps the most unknown to fame is that of an artist named Pierre
Grassou, coming from Fougeres, and called simply "Fougeres" among his
brother-artists, who, at the present moment holds a place, as the
|The second excerpt represents the present or the deciding factor of the moment, and is drawn from Jerusalem Delivered by Torquato Tasso:
This said, he gan his charmed rod to shake,
So that the serpent durst not hiss for fear,
But fled, and dead for dread fell on the grass,
And so the passage plain, eath, open was.
A little higher on the way they met
A lion fierce that hugely roared and cried,
His crest he reared high, and open set
Of his broad-gaping jaws the furnace wide,
His stern his back oft smote, his rage to whet,
But when the sacred staff he once espied
|The third excerpt represents the future or something you must embrace, and is drawn from Romeo and Juliet by William Shakespeare:
3.Mu. Faith I know not what to say
Pet. O I cry you mercy, you are the Singer.
I will say for you; it is Musicke with her siluer sound,
Because Musitions haue no gold for sounding:
Then Musicke with her siluer sound, with speedy helpe
doth lend redresse.
Mu. What a pestilent knaue is this same?
M.2. Hang him Iacke, come weele in here, tarrie for
the Mourners, and stay dinner.
Romeo and Juliet