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Today's Stichomancy for Steve Martin

The first excerpt represents the past or something you must release, and is drawn from Rasselas, Prince of Abyssinia by Samuel Johnson:

spacious chambers to rest awhile before they attempted to return.

"We have now," said Imlac, "gratified our minds with an exact view of the greatest work of man, except the wall of China.

"Of the wall it is very easy to assign the motive. It secured a wealthy and timorous nation from the incursions of barbarians, whose unskilfulness in the arts made it easier for them to supply their wants by rapine than by industry, and who from time to time poured in upon the inhabitants of peaceful commerce as vultures descend upon domestic fowl. Their celerity and fierceness made the wall necessary, and their ignorance made it efficacious.

"But for the Pyramids, no reason has ever been given adequate to

The second excerpt represents the present or the deciding factor of the moment, and is drawn from McTeague by Frank Norris:

Spanish-American. Miss Baker was the oldest lodger in the flat, and Maria was a fixture there as maid of all work when she had come. There was a legend to the effect that Maria's people had been at one time immensely wealthy in Central America.

Maria turned again to her work. Trina and Marcus watched her curiously. There was a silence. The corundum burr in McTeague's engine hummed in a prolonged monotone. The canary bird chittered occasionally. The room was warm, and the breathing of the five people in the narrow space made the air close and thick. At long intervals an acrid odor of


McTeague
The third excerpt represents the future or something you must embrace, and is drawn from Treasure Island by Robert Louis Stevenson:


Treasure Island