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Today's Stichomancy for Tiger Woods

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Blix by Frank Norris:

their heads, a sort of huge "loggia," one blaze of gilding and crude vermilions, opened in the gray cement of a crumbling facade, like a sudden burst of flame. Gigantic pot-bellied lanterns of red and gold swung from its ceiling, while along its railing stood a row of pots--brass, ruddy bronze, and blue porcelain--from which were growing red saffron, purple, pink, and golden tulips without number. The air was vibrant with unfamiliar noises. From one of the balconies near at hand, though unseen, a gong, a pipe, and some kind of stringed instrument wailed and thundered in unison. There was a vast shuffling of padded soles and a continuous interchange of singsong monosyllables, high-pitched and staccato,

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Anna Karenina by Leo Tolstoy:

afforded her by the young man's very obvious admiration. She wanted to stop it, but she did not know what to do. Whatever she did she knew would be observed by her husband, and the worst interpretation put on it. And, in fact, when she asked Dolly what was wrong with Masha, and Vassenka, waiting till this uninteresting conversation was over, began to gaze indifferently at Dolly, the question struck Levin as an unnatural and disgusting piece of hypocrisy.

"What do you say, shall we go and look for mushrooms today?" said Dolly.

"By all means, please, and I shall come too," said Kitty, and she


Anna Karenina
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Essays & Lectures by Oscar Wilde:

once more fervent and more vivid, an individuality more intimate and more intense.

For it is not enough that a work of art should conform to the aesthetic demands of its age: there must be also about it, if it is to affect us with any permanent delight, the impress of a distinct individuality, an individuality remote from that of ordinary men, and coming near to us only by virtue of a certain newness and wonder in the work, and through channels whose very strangeness makes us more ready to give them welcome.

LA PERSONNALITE, said one of the greatest of modem French critics, VOILE CE QUI NOUS SAUVERA.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Deputy of Arcis by Honore de Balzac:

unfortunately, to be the whole political power. When a ruler is that whole, as Napoleon was, there comes a moment when he must supplement himself; and having by that time alienated superior men, he, the great single will, can find no assistant. That assistant ought to be what is called a cabinet; but there is no cabinet in France, there is only a Will with a life lease. In France it is the government that is blamed, the opposition never; it may lose as many battles as it fights, but, like the allies in 1814, one victory suffices. With "three glorious days" it overturned and destroyed everything. Therefore, if we are heirs of power, we must cease to govern, and wait. I belong by my personal opinions to the aristocracy, and by my public opinions to the