Tarot Runes I Ching Stichomancy Contact
Store Numerology Coin Flip Yes or No Webmasters
Personal Celebrity Biorhythms Bibliomancy Settings

Today's Stichomancy for Tom Cruise

The first excerpt represents the past or something you must release, and is drawn from The Cruise of the Jasper B. by Don Marquis:

The second time the King sent one of the Royal Dukes to see Cleggett. They were at a house party in Wales, and Cleggett was a little disturbed that this business affair should be brought up at a gathering so distinctly social in its nature. He was too tactful to let it be seen, but secretly he felt that in approaching the matter in that fashion the Duke had erred in taste.

"But we need men like you in the House of Lords," pleaded the Duke.

"I cannot think of it," said Cleggett. And then, not wishing to hurt the Englishman's feelings, he said kindly: "But I will

The second excerpt represents the present or the deciding factor of the moment, and is drawn from A Lover's Complaint by William Shakespeare:

Whereto his invis'd properties did tend; The deep-green emerald, in whose fresh regard Weak sights their sickly radiance do amend; The heaven-hued sapphire and the opal blend With objects manifold; each several stone, With wit well blazon'd, smil'd, or made some moan.

'Lo! all these trophies of affections hot, Of pensiv'd and subdued desires the tender, Nature hath charg'd me that I hoard them not, But yield them up where I myself must render, That is, to you, my origin and ender:

The third excerpt represents the future or something you must embrace, and is drawn from Maitre Cornelius by Honore de Balzac:

saints on the triangular candle-trays destined to receive such pious offerings, the merit and signification of which have never been sufficiently explained. The lights on each altar and all the candelabra in the choir were burning. Irregularly shed among a forest of columns and arcades which supported the three naves of the cathedral, the gleam of these masses of candles barely lighted the immense building, because the strong shadows of the columns, projected among the galleries, produced fantastic forms which increased the darkness that already wrapped in gloom the arches, the vaulted ceilings, and the lateral chapels, always sombre, even at mid-day.

The crowd presented effects that were no less picturesque. Certain