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Today's Stichomancy for Tom Hanks

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from A Start in Life by Honore de Balzac:

old cook and the former maid of the late Madame Cardot,--both of whom expected to reap an annuity of some six hundred francs apiece on the old man's death. These two women took the utmost care of him, and were all the more interested in doing so because no one was ever less fussy or less fault-finding than he. The apartment, furnished by the late Madame Cardot, had remained in the same condition for the last six years,--the old man being perfectly contented with it. He spent in all not more than three thousand francs a year there; for he dined in Paris five days in the week, and returned home at midnight in a hackney-coach, which belonged to an establishment at Courtille. The cook had only her master's breakfast to provide on those days. This

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Bucolics by Virgil:

Love all unworthy of a loss so dear- Gallus lay dying? for neither did the slopes Of Pindus or Parnassus stay you then, No, nor Aonian Aganippe. Him Even the laurels and the tamarisks wept; For him, outstretched beneath a lonely rock, Wept pine-clad Maenalus, and the flinty crags Of cold Lycaeus. The sheep too stood around- Of us they feel no shame, poet divine; Nor of the flock be thou ashamed: even fair Adonis by the rivers fed his sheep-

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Soul of a Bishop by H. G. Wells:

corner of the bed in which he lay. The lamp had a tilted shade that threw a slanting bar of shadow across the field of reflection, lighting a right-angled triangle very brightly and leaving the rest obscure. The bed was a very great one, a bed for the Anakim. It had a canopy with yellow silk curtains, surmounted by a gilded crown of carved wood. Between the curtains was a man's face, clean-shaven, pale, with disordered brown hair and weary, pale-blue eyes. He was clad in purple pyjamas, and the hand that now ran its fingers through the brown hair was long and lean and shapely.

Beside the bed was a convenient little table bearing the light,

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Amy Foster by Joseph Conrad:

lessly.

"Precisely," said Kennedy. "She is very pas- sive. It's enough to look at the red hands hanging at the end of those short arms, at those slow, prom- inent brown eyes, to know the inertness of her mind --an inertness that one would think made it ever- lastingly safe from all the surprises of imagina- tion. And yet which of us is safe? At any rate, such as you see her, she had enough imagination to fall in love. She's the daughter of one Isaac Foster, who from a small farmer has sunk into a


Amy Foster