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Today's Stichomancy for Tom Hanks

The first excerpt represents the past or something you must release, and is drawn from The Contrast by Royall Tyler:

conversation, he is sure to end his tour in the temple of gravity.


Forgive me, my sister. I love my country; it has its foibles undoubtedly;--some foreigners will with pleasure remark them--but such remarks fall very ungracefully from the lips of her citizens.


You are perfectly in the right, Colonel--America has her faults.


The second excerpt represents the present or the deciding factor of the moment, and is drawn from Dawn O'Hara, The Girl Who Laughed by Edna Ferber:

now that it was gone I wondered, dully, if I could feel Von Gerhard's departure more keenly.

No one knew of the existence of the book except Norah, Von Gerhard, Blackie and me. Blackie had a way of inquiring after its progress in hushed tones of mock awe. Also he delighted in getting down on hands and knees and guiding a yard-stick carefully about my desk with a view to having a fence built around it, bearing an inscription which would inform admiring tourists that here was the desk at which the brilliant author had been wont to sit when grinding out heart-throb stories for the humble

The third excerpt represents the future or something you must embrace, and is drawn from Vendetta by Honore de Balzac:

action may now seem to be, it was at that time a very natural expression of the prevailing hatred. Ginevra Piombo, one of Servin's first pupils, had occupied the place that was now taken from her since the first day of her coming to the studio. The aristocratic circle had gradually surrounded her. To drive her from a place that in some sense belonged to her was not only to insult her, but to cause her a species of artistic pain; for all artists have a spot of predilection where they work.

Nevertheless, political prejudice was not the chief influence on the conduct of the Right clique of the studio. Ginevra, much the ablest of Servin's pupils, was an object of intense jealousy. The master