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Today's Stichomancy for Tyra Banks

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Dawn O'Hara, The Girl Who Laughed by Edna Ferber:

German was the musical tongue of the Viennese, possessing none of the gutturals and sputterings. When she crowned it with the gay little trilling laugh my views on the language underwent a lightning change. It seemed the most natural thing in the world to see her open the flat, silver case that dangled at the end of the cannon-ball chain, take out a cigarette, light it, and smoke it there in that little German dining room. She wore the most gracefully nonchalant air imaginable as she blew little rings and wreaths, and laughed and chatted brightly with her husband and the other men. Occasionally she broke

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Heritage of the Desert by Zane Grey:

only tired him and parched his throat; this canyon of downward steps and falls, with ever-deepening drops, was new to him, and roused his mettle; and from his long training in the wilds he had gained a marvellous sure-footedness.

The canyon narrowed as it deepened; the jutting walls leaned together, shutting out the light; the sky above was now a ribbon of blue, only to be seen when Hare threw back his head and stared straight up.

"It'll be easier climbing up, Silvermane," he panted--"if we ever get the chance."

The sand and gravel and shale had disappeared; all was bare clean-washed rock. In many places the brook failed as a trail, for it leaped down in

The Heritage of the Desert
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Dracula by Bram Stoker:

There was no time to think of what might happen. A vague over-mastering fear obscured all details.

I took a big, heavy shawl and ran out. The clock was striking one as I was in the Crescent, and there was not a soul in sight. I ran along the North Terrace, but could see no sign of the white figure which I expected. At the edge of the West Cliff above the pier I looked across the harbour to the East Cliff, in the hope or fear, I don't know which, of seeing Lucy in our favorite seat.

There was a bright full moon, with heavy black, driving clouds, which threw the whole scene into a fleeting diorama of light and shade as they sailed across. For a moment or two I could see nothing,

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Memorabilia by Xenophon:

[19] i.e. {to ton etto logon kreitto poiein}, "of making the worse appear the better cause." Cf. Arist. "Clouds."

[20] See Dio Chrys. "Or." 43.

"Certainly," the two assented.

Then Socrates: I am prepared to obey the laws, but to avoid transgression of the law through ignorance I need instruction: is it on the supposition that the art of words tends to correctness of statement or to incorrectness that you bid us abstain from it? for if the former, it is clear we must abstain from speeking correctly, but if the latter, our endeavour should be to amend our speech.

To which Charicles, in a fit of temper, retorted: In consideration of

The Memorabilia