| The Two Paths spread provides insight into an important decision ahead of you, the possible outcomes, and the forces that draw you towards each of these outcomes. The Colman Smith Tarot is a modern reinvention of the classic Rider Waite deck, infusing the original line drawings by Pamela Colman Smith with colors drawn from the psychedelic digital age. |
 | The top left card represents the first possible outcome. Five of Wands (Strife): An intense struggle motivated purely by the love of competition. A state of seeming chaos driven by endless small disputes and complications. A hotly contested race, debate, game, or other challenge. A stressful situation that brings out the best in the participants. |
 | The top right card represents the second possible outcome. Two of Pentacles (Change): Balance and harmony achieved in a time of upheaval and transformation. Taking two steps forward for every one step back. Shifting the importance of projects and priorities to keep everything on track. A change in occupation or location. |
 | The middle left card represents the force drawing you towards the first possible outcome. The Chariot: Victory through might. Advancement through bold action. Change through force. Order established through vigilance. A trying situation mastered by balancing opposing forces against each other. Discipline, individual effort and endurance will turn the tide. |
 | The middle right card represents the force drawing you towards the second possible outcome. The Empress, when reversed: Stifling matriarchal influence. Unhappiness, selfishness, poverty and disruption of the home or family. Indecision, paranoia, and jealous rage. Sterility. |
 | The bottom card represents the critical factor that decides what will come to pass. Ten of Swords (Ruin): Crushing defeat brought about by idle intellectualism divorced from reality. Sadness and desolation in the aftermath of a catastrophic and total collapse. A decisive conclusion brought about through the swift and merciless application of overwhelming force. |