| The Two Paths spread provides insight into an important decision ahead of you, the possible outcomes, and the forces that draw you towards each of these outcomes. The Colman Smith Tarot is a modern reinvention of the classic Rider Waite deck, infusing the original line drawings by Pamela Colman Smith with colors drawn from the psychedelic digital age. |
 | The top left card represents the first possible outcome. Three of Swords (Sorrow): Unsettling news leading to heartbreak or loneliness. Tactless or hurtful words. Acting without consideration for the emotions of others. Betrayal of trust or confidence. The revelation of a painful truth. |
 | The top right card represents the second possible outcome. Page of Cups, when reversed: The dark essence of water behaving as earth, such as a wellspring: An unexpected new relationship that is childish and foolish. An idle dreamer oblivious to the realities of the world. Moodiness, sad reflection, and retreat from society. Seduction and deception in personal and business relationships. |
 | The middle left card represents the force drawing you towards the first possible outcome. The Tower: Unforeseen catastrophe. An abrupt change, perhaps leading to a new lifestyle and enlightenment. May indicate a broken relationship, divorce, or failure in business or career. |
 | The middle right card represents the force drawing you towards the second possible outcome. Four of Cups (Luxury), when reversed: New and unusual relationships and opportunities. The reawakening of your appetite for life or love. The path of excess leading to spiritual rejuvenation and the appearance of novel ambitions. |
 | The bottom card represents the critical factor that decides what will come to pass. Wheel of Fortune, when reversed: An unexpected turn of bad luck. A broken sequence of events. Outside influences for the worse. An inescapable descent due to Fate or Karma. Great changes taking place as a result of earlier actions that cannot be taken back. Misfortune, failure and reluctance to use free will. |
