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Today's Stichomancy for Carmen Electra

The first excerpt represents the past or something you must release, and is drawn from Cratylus by Plato:

of a king may be called a king. But if the horse had produced a calf, then that would be called a calf. Whether the syllables of a name are the same or not makes no difference, provided the meaning is retained. For example; the names of letters, whether vowels or consonants, do not correspond to their sounds, with the exception of epsilon, upsilon, omicron, omega. The name Beta has three letters added to the sound--and yet this does not alter the sense of the word, or prevent the whole name having the value which the legislator intended. And the same may be said of a king and the son of a king, who like other animals resemble each other in the course of nature; the words by which they are signified may be disguised, and yet amid differences of sound the etymologist may recognise the same notion, just as

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Arizona Nights by Stewart Edward White:

know under a big rock back in Texas. "Here's a trail," I thought, more than half loco; "I'll follow it!" At least that's what half of me thought. The other half was sensible, and knew better, but it seemed to be kind of standing to one side, a little scornful, watching the performance. So I slid and slipped down to the strip of white earth, and, sure enough, it was a trail. At that the loco half of me gave the sensible part the laugh. I followed the path twenty feet and

The third excerpt represents the future or something you must embrace, and is drawn from The Dunwich Horror by H. P. Lovecraft:

all like jelly, an' made o' sep'rit wrigglin' ropes pushed clost together... great bulgin' eyes all over it... ten or twenty maouths or trunks a-stickin' aout all along the sides, big as stove-pipes an all a-tossin' an openin' an' shuttin'... all grey, with kinder blue or purple rings... an' Gawd it Heaven - that haff face on top...' This final memory, whatever it was, proved too much for poor Curtis; and he collapsed completely before he could say more. Fred Farr and Will Hutchins carried him to the roadside and laid him on the damp grass. Henry Wheeler, trembling, turned the rescued telescope on the mountain to see what he might. Through


The Dunwich Horror