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Today's Stichomancy for Carmen Electra

The first excerpt represents the past or something you must release, and is drawn from Reason Discourse by Rene Descartes:

of many events that are impossible; and even the most faithful histories, if they do not wholly misrepresent matters, or exaggerate their importance to render the account of them more worthy of perusal, omit, at least, almost always the meanest and least striking of the attendant circumstances; hence it happens that the remainder does not represent the truth, and that such as regulate their conduct by examples drawn from this source, are apt to fall into the extravagances of the knight-errants of romance, and to entertain projects that exceed their powers.

I esteemed eloquence highly, and was in raptures with poesy; but I thought that both were gifts of nature rather than fruits of study. Those in whom the faculty of reason is predominant, and who most skillfully dispose their


Reason Discourse
The second excerpt represents the present or the deciding factor of the moment, and is drawn from La Grenadiere by Honore de Balzac:

At last the doctor forbade Mme. Willemsens to leave her room. Every day it was brightened by the flowers that she loved, and her children were always with her. One day, early in November, she sat at the piano for the last time. A picture--a Swiss landscape--hung above the instrument; and at the window she could see her children standing with their heads close together. Again and again she looked from the children to the landscape, and then again at the children. Her face flushed, her fingers flew with passionate feeling over the ivory keys. This was her last great day, an unmarked day of festival, held in her own soul by the spirit of her memories. When the doctor came, he ordered her to stay in bed. The alarming dictum was received with

The third excerpt represents the future or something you must embrace, and is drawn from The Art of War by Sun Tzu:

the chances of its being other than a bona fide production are sensibly diminished. The great age of forgeries did not come until long after. That it should have been forged in the period immediately following 473 is particularly unlikely, for no one, as a rule, hastens to identify himself with a lost cause. As for Yeh Shui-hsin's theory, that the author was a literary recluse, that seems to me quite untenable. If one thing is more apparent than another after reading the maxims of Sun Tzu, it is that their essence has been distilled from a large store of personal observation and experience. They reflect the mind not only of a born strategist, gifted with a rare faculty of generalization,


The Art of War