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Today's Stichomancy for Carmen Electra

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Protagoras by Plato:

and there was sitting by him on the couches near, Pausanias of the deme of Cerameis, and with Pausanias was a youth quite young, who is certainly remarkable for his good looks, and, if I am not mistaken, is also of a fair and gentle nature. I thought that I heard him called Agathon, and my suspicion is that he is the beloved of Pausanias. There was this youth, and also there were the two Adeimantuses, one the son of Cepis, and the other of Leucolophides, and some others. I was very anxious to hear what Prodicus was saying, for he seems to me to be an all-wise and inspired man; but I was not able to get into the inner circle, and his fine deep voice made an echo in the room which rendered his words inaudible.

No sooner had we entered than there followed us Alcibiades the beautiful,

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Margret Howth: A Story of To-day by Rebecca Harding Davis:

story that she read,-- the story of a man who walked the fields and crowded streets of Galilee eighteen hundred years ago. Knowles, with his heated brain, fancied that the silence without in the night grew deeper, that the slow-moving air stopped in its course to listen. Perhaps the simple story carried a deeper meaning to these brooding mountains and solemn sky than to the purblind hearts within. It was a far-off story to them,--very far off. The old school-master heard it with a lowered head, with the proud obedience with which a cavalier would receive his leader's orders. Was not the leader a knights the knight of truest courage? All that was high, chivalric in the old man


Margret Howth: A Story of To-day
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Dynamiter by Robert Louis Stevenson and Fanny Van De Grift Stevenson:

the object; and yet, when the cab at last rattled to the door and I heard my visitor mount the stairs, such was the tumult of hopes in my poor bosom that love itself might have been proud to own their parentage. The door opened, and it was Doctor Grierson that appeared. I believe I must have screamed aloud, and I know, at least, that I fell fainting to the floor.

When I came to myself he was standing over me, counting my pulse. 'I have startled you,' he said. 'A difficulty unforeseen - the impossibility of obtaining a certain drug in its full purity - has forced me to resort to London

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Voyage Out by Virginia Woolf:

They tried to invent theories and to make their theories agree. As Hewet had no knowledge of music, Rachel took his stick and drew figures in the thin white dust to explain how Bach wrote his fugues.

"My musical gift was ruined," he explained, as they walked on after one of these demonstrations, "by the village organist at home, who had invented a system of notation which he tried to teach me, with the result that I never got to the tune-playing at all. My mother thought music wasn't manly for boys; she wanted me to kill rats and birds--that's the worst of living in the country. We live in Devonshire. It's the loveliest place in the world. Only--it's always difficult at home when one's grown up. I'd like