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Today's Stichomancy for Celine Dion

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Walden by Henry David Thoreau:

State requires. If they pay the tax from a mistaken interest in the individual taxed, to save his property, or prevent his going to jail, it is because they have not considered wisely how far they let their private feelings interfere with the public good. This, then, is my position at present. But one cannot be too much on his guard in such a case, lest his action be biased by obstinacy or an undue regard for the opinions of men. Let him see that he does only what belongs to himself and to the hour. I think sometimes, Why, this people mean well; they are only ignorant; they would do better if they knew how: why give your neighbors this pain to treat you as they are not inclined to? But I


Walden
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Two Brothers by Honore de Balzac:

man of genius; whereas Joseph, puny and sickly, with unkempt hair and absent mind, seeking peace, loving quiet, and dreaming of an artist's glory, would only bring her, she thought, worries and anxieties.

The winter of 1814-1815 was a lucky one for Joseph. Secretly encouraged by Madame Descoings and Bixiou, a pupil of Gros, he went to work in the celebrated atelier of that painter, whence a vast variety of talent issued in its day, and there he formed the closest intimacy with Schinner. The return from Elba came; Captain Bridau joined the Emperor at Lyons, accompanied him to the Tuileries, and was appointed to the command of a squadron in the dragoons of the Guard. After the battle of Waterloo--in which he was slightly wounded, and where he won

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Menexenus by Plato:

the Platonic writings he never attributes any passage found in the extant dialogues to any one but Plato. And lastly, we may remark that one or two great writings, such as the Parmenides and the Politicus, which are wholly devoid of Aristotelian (1) credentials may be fairly attributed to Plato, on the ground of (2) length, (3) excellence, and (4) accordance with the general spirit of his writings. Indeed the greater part of the evidence for the genuineness of ancient Greek authors may be summed up under two heads only: (1) excellence; and (2) uniformity of tradition--a kind of evidence, which though in many cases sufficient, is of inferior value.

Proceeding upon these principles we appear to arrive at the conclusion that nineteen-twentieths of all the writings which have ever been ascribed to

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Odyssey by Homer:

with me three of my company, in whom I trusted most for every enterprise.

'Meanwhile, so it was that she had plunged into the broad bosom of the sea, and had brought from the deep the skins of four sea-calves, and all were newly flayed, for she was minded to lay a snare for her father. She scooped lairs on the sea-sand, and sat awaiting us, and we drew very nigh her, and she made us all lie down in order, and cast a skin over each. There would our ambush have been most terrible, for the deadly stench of the sea bred seals distressed us sore: nay, who would lay him down by a beast of the sea?


The Odyssey