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Today's Stichomancy for Celine Dion

The first excerpt represents the past or something you must release, and is drawn from The Soul of the Far East by Percival Lowell:

to compose a poem on the beauty of the spot and the feelings it calls up, which he subsequently reads to his admiring companions. Hot sake is next served, which is to them what beer is to a German or absinthe to a blouse; and there they sit, sip, and poetize, passing their couplets, as they do their cups, in honor to one another. At last, after drinking in an hour or two of scenery and sake combined, the symposium of poets breaks up.

Sometimes, instead of a company of friends, a man will take his family, wife, babies, and all, on such an outing, but the details of his holiday are much the same as before. For the scenery is still the centre of attraction, and in the attendant creature comforts Far

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Animal Farm by George Orwell:

title-deeds of Animal Farm they would ask no questions. Moreover, terrible stories were leaking out from Pinchfield about the cruelties that Frederick practised upon his animals. He had flogged an old horse to death, he starved his cows, he had killed a dog by throwing it into the furnace, he amused himself in the evenings by making cocks fight with splinters of razor-blade tied to their spurs. The animals' blood boiled with rage when they heard of these things beingdone to their comrades, and sometimes they clamoured to be allowed to go out in a body and attack Pinchfield Farm, drive out the humans, and set the animals free. But Squealer counselled them to avoid rash actions and trust in Comrade Napoleon's strategy.


Animal Farm
The third excerpt represents the future or something you must embrace, and is drawn from The Mansion by Henry van Dyke:

the vast city, passing street after street of houses larger and smaller, of gardens richer and poorer, but all full of beauty and delight.

They came into a kind of suburb, where there were many small cottages, with plots of flowers, very lowly, but bright and fragrant. Finally they reached an open field, bare and lonely-looking. There were two or three little bushes in it, without flowers, and the grass was sparse and thin. In the center of the field was a tiny hut, hardly big enough for a shepherd's shelter.