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Today's Stichomancy for Gary Cooper

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Message by Honore de Balzac:

daily life, and to do everything so that it falls in with those rules of etiquette and good taste which wither the most generous emotions.

"M. le Comte," I said with an air of mystery, "I should like a few words with you," and I fell back a pace or two.

He followed my example. Juliette left us together, going away unconcernedly, like a wife who knew that she can learn her husband's secrets as soon as she chooses to know them.

I told the Count briefly of the death of my traveling companion. The effect produced by my news convinced me that his affection for his young collaborator was cordial enough, and this

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Fantastic Fables by Ambrose Bierce:

Christian, with that charming consideration which serves to distinguish the truly pious from the wolves that perish, exclaimed:

"If I could have my way, I'd blow up all your gods with dynamite."

"And if I could have mine," retorted the Heathen in His Blindness, bitterly malevolent but oleaginuously suave, "I'd fan all yours out of the universe."

The Desperate Object

A DISHONEST Gain was driving in its luxurious carriage through its private park, when it saw something which frantically and repeatedly ran against a stone wall, endeavouring to butt out its brains.


Fantastic Fables
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Chessmen of Mars by Edgar Rice Burroughs:

gorgeous harness--a dead thing without a guiding kaldane. Luud dismissed the warriors who had accompanied the prisoner. Then he sat with his terrible eyes fixed upon her and without speaking for some time. Tara of Helium could but wait. What was to come she could only guess. When it came would be sufficiently the time to meet it. There was no neccessity for anticipating the end. Presently Luud spoke.

"You think to escape," he said, in the deadly, expressionless monotone of his kind--the only possible result of orally expressing reason uninfluenced by sentiment. "You will not escape. You are merely the embodiment of two imperfect things--an


The Chessmen of Mars
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Shadow Line by Joseph Conrad:

I would have been more disconcerted if, having the clock set in the top of the mirror-frame right in front of me, I had not noticed that its long hand had hardly moved at all.

I could not have been in that cabin more than two minutes altogether. Say three. . . . So he could not have been watching me more than a mere fraction of a minute, luckily. Still, I re- gretted the occurrence.

But I showed nothing of it as I rose leisurely (it had to be leisurely) and greeted him with perfect


The Shadow Line